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Word: banjo (lookup in dictionary) (lookup stats)
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Usage:

...dough at Stowe lies mostly in the snow," crooned a banjo-toting minnesinger before the inevitable open fireplace of that famed ski retreat in Vermont last week. And the same truth was self-evident in thousands of other resorts around the world from Aspen to Zermatt, where the ski slopes resembled a lavishly and gaily costumed flea circus...

Author: /time Magazine | Title: Recreation: White Gold on the Ski Belt | 2/23/1962 | See Source »

Each of the seven days that the hookup lasted, Schmidt and Baldwin divided their time equally between sitting up in bed and lying down. They could sleep as much as they wanted. Schmidt, who comes from Levittown. L.I., broke the monotony of reading and card playing by strumming his banjo and singing folk songs. Baldwin, who comes from Ithaca, N.Y., was eagerly looking forward to a steak dinner at experiment's end after meals that were identical every...

Author: /time Magazine | Title: Medicine: The Volunteers | 2/16/1962 | See Source »

Because Hays and Gilbert only sing, the whole responsibility for instrumental background falls on Darling and Fred Hellerman. The extraordinary competence of both, particularly Hellerman on the guitar, is a large factor in the cohesion and warmth of the group. Darling sticks to the long-necked banjo most of the time, but switched to guitar for a solo number where he gave a fairly good rendition of some bottle neck blues...

Author: By Joseph M. Russin, | Title: The Weavers | 2/12/1962 | See Source »

Despite the high quality of the concert, however, it proved that the Weavers lost a lot when Seeger left. Darling, Seeger's replacement, has a better voice than Pete, but his banjo lacks originality, spirit, and personality. To a large extent this is the Weavers' problem: they haven't progressed without Seeger, and good as they are, they grow less interesting with each hearing

Author: By Joseph M. Russin, | Title: The Weavers | 2/12/1962 | See Source »

...Sheridan, is the land of happy wars and sad love songs. So we are informed, at any rate, by one of the singers on a Columbia album called "A SPONTANEOUS RECORDING!" The spontaneous performance is given by the Clancy Brothers (Tom, Pat, and Liam), Tommy Makem, Pete Seeger (on banjo), Bruce Langhorne (on guitar), and what is described as "a 200-voice singing audience." The audience is not omnipresent, and all of the songs (like all Irish songs, I'm convinced) have the gift o' th' gab. The performers, too, are ebullient, effervescent, and effusive, a welcome change from...

Author: By Merry W. Maisel, | Title: New Trends In Folk Music | 12/15/1961 | See Source »

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