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People spend a lot of breath telling other people (if the subject comes up) that there is a boom in folk music. This is correct, one needs only to see the happy faces of coffee- house owners, guitar-and-banjo-makers, professional folksingers to verify the fact. Some people, including myself, will tell you folk music suffers from renaissance--the trios and quartets (which shall be nameless) begin turning out corrupt, oompah versions of perfectly good folk songs; no lover of folk musics enjoys hearing the lush, superfatted, slick results. The task of separating what we like from the phony...

Author: By Merry W. Maisel, | Title: New Trends In Folk Music | 12/15/1961 | See Source »

Singing in English. French. Hebrew, and Spanish, the group is a kind of Kingston Quintet, doing a spread of folk songs. American and foreign. All five play the guitar, and beyond that they diversify into a variety of instruments that includes five-string banjo, recorder, autoharp, maracas, a ten-string South American charango made from an armadillo shell, and a Nigerian talking drum. Their style is controlled and relaxed, with faultless rhythm, but minus Michael and United Artists, they could be any good college group...

Author: /time Magazine | Title: Tin Pan Alley: Reality in Academia | 10/6/1961 | See Source »

...never strayed into the far-out realms of atonality or mechanical idiosyncrasies. His serious musical education started late, but he learned fast. As a boy on Manhattan's upper West Side, Schuman was totally uninterested in anything long-haired. He had a passing fling with jazz, played the banjo and the violin in a jazz band he formed in high school, and wrote, with Frank Loesser, such pop songs as In Love with the Memory of You. Baseball was his enduring passion: "Had I been a better catcher, I might never have been a musician." His only opera...

Author: /time Magazine | Title: Music: Casey at the Baton | 9/22/1961 | See Source »

Although some fellow priests regard with disapproving coolness Father Dustin's jazz success, he does not mind. All the income from his banjo-concert fees and record royalties-goes to the order, for its missions in Thailand and Brazil. Furthermore, Detroit's musical priest thinks he has an excellent precedent: St. Alphonsus Ligouri, founder of the Redemptorist Order (in 1732) was a cool man on the harpsichord...

Author: /time Magazine | Title: Music: Minstrel of the Cloth | 8/25/1961 | See Source »

Described by one critic as ''a sort of do-it-yourself urban folk music." trad rests mainly on the standard instruments-clarinet, trumpet, trombone-but now and again tosses in a banjo for such provincial classics as Waiting for the Robert E. Lee. Chris Barber's Jazzband founded the movement with a bestselling version of Sidney Bechet's Petite Flew, and now the trad bands are so popular that they play everywhere-not only for jazz clubs and festivals, but also at debutante parties, society dances, on trans-Channel steamers, even waist-deep in swimming pools...

Author: /time Magazine | Title: Jazz: The Trad Hatters | 8/25/1961 | See Source »

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