Word: bankes
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Dates: during 1920-1929
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...might interest you to know that this Company, having a capital of three hundred and fifteen million dollars and a surplus of approximately one-quarter of a billion, has no bond issue, preferred stock or bank loans ahead of the common. The stock of this Company is, by the way, considered in the West our leading prime investment...
...Professor of Law at Stanford University; 1920, Cloyd Laporte, junior partner, Root, Clark, Buckner, Rowland & Ballantine, New York; 1921, Donald C. Swatland, junior partner, Cravath, Degersdorff, Swaine & Wood, New York; 1922, Bertram F. Willcox, junior partner, Schurman, Wiley & Willcox, New York; 1923. James M. Nicely, second vice president, National Bank of Commerce, New York; 1924, Warren S. Ege, associate in Davis, Severance & Morgan, St. Paul; 1925, Robert G. Page, associate in Root, Clark, Buckner, Howland & Ballantine; 1926, David F. Cavers, associate in Rushmore, Bisbee & Stern, New York; 1927, Henry J. Friendly, associate in Root, Clark, Buckner, Howland & Ballantine; 1928, Erwin...
...regrets that troubled the soul of Oscar, however, never, entered into the discussions of a group of men who gathered in a downtown bank in New York and spent the day deliberating. They were realtors, and they talked of leases and rents, and how many stories an office building must rise in order to yield income proportionate to the value of a property in terms of Fifth Avenue frontage. In the end, they nodded in agreement on a real estate dicker which will wipe out the Waldorf-Astoria Hotel, a famed Manhattan landmark, a tradition of princesses and kings, Peacock...
...Dawes-Banks. Two Chicago banks-Central Trust Co. and Bank of America, -last week merged to create a $161,000,000 bank, to be chairmaned by U. S. Vice President Charles G. Dawes...
...goes, swinging his cane, past a cafe door where trombones are moaning measures of La Maxixe. On he goes, past a cathedral, or perhaps the Grand Palais, slackens his pace a bit, then passes by on the other side. On he goes over the bridge to the Left Bank and there he stops again, this time for an Anise de Lozo and following effects are appropriately blurred. A solo violin suggestive of charming broken English is first to clear away the haze. There comes a swift transition and Gershwin has the blues, bad blues, until he meets a friend, starts...