Word: bantams
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...Godard has overemphasized polemic at the cost of the cast. In Weekend, for example, windy politics fray some of the film's visionary power. But in Pierrot Le Fou Godard shows that he can coax fine actors into superlative performances. Belmondo earns his lunatic (fou) sobriquet; his quirky bantam strut and broken-nosed banter are only a gasp away from Breathless. Karina's sensuality gives her ultimate villainy the quality of revelation...
Cuban Revolutionary Che Guevara's diary of his abortive eleven-month campaign in Bolivia was first published by Fidel Castro last month and picked up in the U.S. by Ramparts magazine and Bantam Books. It was widely criticized as bowdlerized, with key dates and names edited out. Last week New York publishers Stein & Day weighed in with an unexpurgated edition entitled The Complete Bolivian Diaries of Che Guevara and Other Captured Documents...
Simplistic to the point of demagoguery, his rhetoric is not so much overtly racist as atavistic. His speeches are a scattershot us-folks compendium of conservative complaints against the Federal Government, both major parties, bums, beatniks and Vietniks, rioters (meaning Negroes), intellectuals and Communists. With bantam-cock posture and frequent billingsgate phrases, he portentously appeals to patriotism, law and order, individual liberty, states' rights and the safety of the past. He is a pugnacious orator-a kind of ham-hock Goldwater-and one of the most effective stump speakers of the 1968 campaign...
...toilet training through masturbation and on to intercourse, intercourse, intercourse, all told in the form of monologues delivered by a Jewish boy to his psychoanalyst. With that kind of copy and more to come, no wonder Random House has given Roth a $250,000 advance for the book and Bantam $350,000 for paperback rights. With movies, foreign translation and the rest, poor Portnoy ought to come off the couch with something like $1,000,000-which should just about pay the psychiatrist...
...that grand old Russian revolutionary and pioneer sculptor of the 1920s, Naum Gabo, 77, with 28 constructions on display. Though the original idea for the festival was Foss's, the planning and expenses are being borne by a dozen different local and state institutions (even Buffalo's bantam-sized 7,800-student state college got in the act by inviting Merce Cunningham and his dance company to perform two new works during a four-week stay). The festival committee is chaired by the Albright-Knox's director, Gordon Smith, 61, and the residual deficit will doubtless...