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...first Congress of African Peoples in Atlanta, Amina Baraka led a workshop which dealt with questions of family structure and nationhood...

Author: By Alta Starr, | Title: Tryin' To Make It Real | 3/8/1973 | See Source »

...develop largely under the impetus of William A. Stewart's 1964 pamphlet Non-Standard Speech and the Teaching of English. This analysis has been fueled by the renaissance of black cultural pride that began to take place in the mid-1960's. The proponents of this school--Imamu Baraka, Langston Hughes, Gwendolyn Brooks--maintain that Black English is a well-structured dialect that is a derivation but not a corruption of Standard English. J.L. Dillard's Black English is the first attempt to take a systematic linguistic historical look at the subject and as such offers several important insights...

Author: By Henry W. Mcgee iii, | Title: The White Man Don' Be Understandin' Me | 11/14/1972 | See Source »

Reed himself keeps prancing on his drum, preaching the glories of HooDoo culture. It is a welcome alternative to the bludgeoning lectures of LeRoi (Imamu Baraka) Jones. Or is it? The club is a quicker and more merciful weapon than the feather. -R.Z. Sheppard

Author: /time Magazine | Title: Books: Summer Fiction | 8/14/1972 | See Source »

...more law-and-order in the ghetto; separatists anxious to set aside part of the South as a new black nation and integrationists pushing for open housing and busing. The result was a platform with more than 70 separate items, cajoled and gaveled past the delegates by Imamu Amiri Baraka, the Newark black nationalist leader and poet once known as LeRoi Jones. Among the major points on the partly sensible, largely Utopian agenda...

Author: /time Magazine | Title: RACES: Frail Black Consensus | 3/27/1972 | See Source »

...Baptism and Rats. "The Baptism" by Ameer Baraka (LeRoi Jones) joins Israel Horovitz's "Rats." Northeastern Studio Theater...

Author: NO WRITER ATTRIBUTED | Title: the stage | 2/10/1972 | See Source »

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