Word: barbarianism
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...Vagabond was sitting quietly last evening staring into the crackling hickory fire which drove the fall chill from his chimney corner, and thinking how the barbarian shriek of fire-engines would soon dispel the peace of his chambers under Memorial's clock. Suddenly there came a knocking from the depths, rap, rap, rap, thrice it came, and the distant corner of the room, illuminated only by the firelight, glowed with a greenish phosphorescence. Startled, the Vagabond discerned a figure standing there, limned in the faint, emerald light. Its coat was of gabardine, its trousers of flannel, from its eyes came...
...call of the desert and a wily philandering Arab in the person of Ramon Navarro. The story is old, the treatment is older, and not even a trio of the best second-rate stars in Culver City can give any more glamour to the exhausted Sahara, but withal "The Barbarian" now playing at the University Theatre in the Square is entertaining in a mild harmless...
...Fodor, directed by James Whale, The Kiss Before the Mirror has a smooth surface, good acting and a compactly organized, if tricky, story. It lacks action and emphasis. Good shot: Dr. Held listening with growing interest to his wife's tirade at him for mussing her hair. The Barbarian (M e t r o-Goldwyn- Mayer) contains a personage whose type used to be almost as important in the cinema as the cowboy whom he helped to supplant. He is a sheik wearing a romantic turban, bedsheets and a polite but hungry leer. His name is Jamil (Ramon Novarro...
...than the old sheiks used to do-help, not to modernize the picture, but to give it a certain wistful charm. The memory of Rudolph Valentino is still green in Hollywood. In The Sheik (1921) he coined a U. S. epithet and a mint of money for Paramount. The Barbarian is more than a belated imitation; like some of the songs which Jamil sings it is a plaintive serenade, begging audiences not to forget an old favorite. Most inevitable shot: Myrna Loy, dreamily indignant, slicing Novarro's cheek with a camel whip...
Making a vital distinction between "mass" and "class," he defines "mass-mind" as the commonplace mind, no matter in what class it is found. The massman is barbarian, only concerned with his own wellbeing, content to plunder civilization, not labor intelligently to continue it. By his definition of "barbarian" Ortega y Gasset covers a multitude of public "leaders": "If anyone in a discussion with us is not concerned with adjusting himself to truth, if he has no wish to find the truth, he is intellectually a barbarian. That, in fact, is the position of the massman when he speaks, lectures...