Word: barbers
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Dates: during 1910-1919
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...barber shop in the Union, which has been closed for several months, has been thoroughly remodelled, and is now open again. The Union management has decided to allow members to charge services at the barber shop on their regular accounts at the office...
...subjects suggested cover a wide range, including: Factors which should govern the choice of types of pavements and roads and the materials used therein; an ideal paving program for a city of 25,000 people; economics of highway construction, and other related topics. The prizes are offered by the Barber Asphalt Paving Company to promote investigation of highway problems by engineering students and to encourage them to enter a field of work where there is great need for trained...
...sixth and mezzanine floors there are to be two new squash courts, making five in all, a markers' room, barber shop, ample showers and baths, a lounge room, and a swimming pool, 15 feet by 33 feet. The 45th street addition on the third floor is intended for private and class dining purposes. The fourth and fifth floors are devoted entirely to bed rooms. The remainder of the building is practically unchanged. The private dining and meeting rooms on the third floor are the same, save that the card room has been enlarged and the front of the 44th street...
...Concert in Symphony Hall this evening: March, "Hoch und Deutschmeister,"Ertel Overture, "La Belle Helene, Offenbach Selection, "The Little Cafe," Caryll a. Etoile du Soir. b. Toreador et Andalouse. Prelude to "The Mastersingers of Nuremberg," Wagner Waltz, "Rathausballtanze," Strauss Intermezzo, "Pagliacci," Leoncavallo Selection, "La Boheme," Puccini Overture, "The Barber of Bagdag," Cornelius Aria from "Louise," Charpentier Selection, "Modeste Suzanne," Gilbert March, "Wien bleibt Wien," Schrammel
Madame Marie Sundelius, soprano, will be the soloist; the following program will be rendered. Symphony in C minor, No. 5, Op. 67, Beethoven Overture to the Opera, "The Barber of Bagdad," Cornelius Recitative, "E Susanna non vien?" and Aria, "Dove Sono," from "Le Nozze di Figaro," (Act III, Scene 8), Mozart "L'Apprenti Sorcier" ("The Sorcerer's Apprentice"): Scherzo (after a Ballad by Goethe). Dukas Aria, "Je dis que rien ne m'eponvante," from "Carmen", Bizet Caprice on Spanish Themes, Op. 34, Rimsky-Korsakoff