Word: barbirolli
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Dates: during 1960-1969
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SYMPHONY NO. 6, SIR JOHN BARBIROLLI AND THE NEW PHILHARMONIA ORCHESTRA (Angel, two LPs). The tragic beauty and power of this score can scarcely be matched anywhere. "It is the sum of all the suffering I have been compelled to endure at the hands of life," said Mahler. Barbirolli drains every ounce of Angst from the music, and the recording itself is superbly engineered...
...symphony opens with a marchlike tune that charms the listener with its opulence and nostalgia. Unfortunately, the same theme crops up throughout the rest of the work, and though Elgar's variations are inventive, the work lacks variety. The Philharmonia, however, never sounded better. Conductor Sir John Barbirolli gives coherence to Elgar's romantic flights while retaining a special sympathy for their almost Kiplingesque quality...
...does her best to fulfill the image of the 15-year-old Japanese teenager, and has successfully made the role one of her specialties. Her rather metallic intonations are warmed by the richness of Rolando Panerai's baritone and Carlo Bergonzi's tenor, while Conductor Sir John Barbirolli exposes enough colors in the opera's palette to prove that it may not be so smart to sneer at Puccini's musicality...
...Young Gentlewomen" at Josias Priest's School in Chelsea. This album boasts a more distinguished roster of singers, including Victoria de los Angeles, but Purcell's baroque is as airy and clear as a birdsong in an English meadow-and sounds just as repetitious. Sir John Barbirolli conducts with vivacity...
...suavity and elegance of Nadien's playing, for example, have already given his string section a correspondingly new tone. Beyond that, the concertmaster helps decide promotions, auditions, prospective new players, and acts as a father confessor as well as a liaison between the men and the maestro. Barbirolli says that the Italian appellation for concertmaster, violino di spalla, is more apropos: "His is the shoulder that the conductor leans...