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...first, in Boston, the wonderfully funny seduction scene was played straight. Barbra, something of a director herself, inspired the change to farce. She also proved to be an unbelievably quick study. One day during the New York previews, she was handed three new scenes and half a song, and she delivered them all flawlessly that evening. She even overcame electronic hazards. Although she has a big voice, she wears a microphone in her cleavage to help get the low, soft songs up to the balcony. The batteries are taped to her bottom. On opening night in Boston, this apparatus began...

Author: /time Magazine | Title: Broadway: The Girl | 4/10/1964 | See Source »

People who knew and loved Fanny Brice say that Barbra's approximation of her is warmly moving and sometimes almost incredibly exact, but Barbra has never heard a Fanny Brice record or seen a Fanny Brice movie. Similarity draws from the shared Eastern-asphalt accents of the two women, from close resemblances in their wide mouths and angular gestures, and even more from the sense of courage that both put across in the act of provoking laughter...

Author: /time Magazine | Title: Broadway: The Girl | 4/10/1964 | See Source »

Smolce Together. For all her brilliance, Barbra Streisand's confidence could still use a few years on the road. Broadway's critics gave her everything but frankincense and myrrh; yet she wondered why their reviews were not more enthusiastic and decided that they were ganging up upon her in an inexplicable personal attack. "All right, what is it? Am I great or am I lousy, huh? I need to know," she kept saying to anyone in sight last week...

Author: /time Magazine | Title: Broadway: The Girl | 4/10/1964 | See Source »

Free Fragrance. With the fine flush of success, Barbra has hastily assembled some of the accouterments of the gracious life, but is plainly still out of phase with it. She has rented a penthouse duplex on Central Park West that was once the home of Lorenz Hart dur ing the great lyricist's last years. They have had the place about seven months, and it is still substantially empty, but Barbra is filling it with her own brand of antiques, the pursuit of which is her only hobby. She has an old dentist's cabinet for her ribbons...

Author: /time Magazine | Title: Broadway: The Girl | 4/10/1964 | See Source »

Every day begins with Elliott shouting over the intercom from the floor below: "Barbra, come and get your chicken soup." In Hart's day, the apartment's focus was the bar. Now it is the kitchen, whose walls Barbra has covered with red patent leather. She neither drinks nor smokes, but she eats like a woman thrice her weight, which is 125 Ibs. The kitchen is a self-service delicatessen heavily stocked with matzo brie, gefilte fish, grapefruit wedges, kosher salami, pickled beets, tzimmes, caviar, corn fritters, brownies, ice-cream rolls, cottage cheese, sweet potatoes, and enough frozen...

Author: /time Magazine | Title: Broadway: The Girl | 4/10/1964 | See Source »

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