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Wish you were here: Martin Scorses, "The Age of Innocence"; Barbra Streisand, "The Prince of Tides...

Author: By Ariel Foxman, | Title: OpArt | 3/17/1994 | See Source »

...been a great year for Art Deco. The hype for Barbra Streisand's auction of her extensive Deco collection has been almost as impressive as the objects themselves. And now the Coen brothers, Ethan and Joel, have made a movie in which the massive moderne settings by production designer Dennis Gassner and the glowing light cast on them by cinematographer Roger Deakins make you wonder how a decorative style at once so sleek and warm could ever have fallen out of favor...

Author: /time Magazine | Title: CINEMA: Half-Baked in Corporate Hell | 3/14/1994 | See Source »

...BARBRA STREISAND...

Author: /time Magazine | Title: Winners & Losers: Mar. 14, 1994 | 3/14/1994 | See Source »

Would a young Barbra Streisand make it big in show business today? The question is not as stupid as it sounds. Much to the annoyance of baby boomers, their kids often prefer rapping to singing and consider rhythm and riffs more important than melody. And dowdy Broadway, the birthplace of Streisand's fame, is not producing pop stars these days. To the MTV generation, a videogenic image can count more than musical talent...

Author: /time Magazine | Title: MUSIC: The Power of Celine Dion | 3/7/1994 | See Source »

Soon they might have that chance. This week Kramer is in Hollywood to begin work with Barbra Streisand on her long-deferred film of his AIDS play The Normal Heart. Robert Altman will direct the Angels in America film. The independent Propaganda Films is developing two projects: Good Days, a gay coming-of-age story from John Schlesinger (Midnight Cowboy, Sunday Bloody Sunday); and, with Oliver Stone and HBO, an adaptation of Conduct Unbecoming by Randy Shilts (And the Band Played On). "Nothing takes the taboo off of anything in Hollywood like box office," says Propaganda's boss Steve Golin...

Author: /time Magazine | Title: The Gay Gauntlet | 2/7/1994 | See Source »

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