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...Barbra Streisand was paid millions of dollars to give two New Year's concerts at the MGM Grand in Las Vegas, and she criticized the hotel's rooms and other facilities from the stage. Maybe she was just having a bad day, but she seems to have a lot of them...

Author: /time Magazine | Title: Streisand: the Year in Tantrums | 1/17/1994 | See Source »

...love and hate a city so crazily go-go that three different, colossally theme-park-like casino-hotels (the $375 million Luxor, Steve Wynn's $475 million Treasure Island and now the $1 billion MGM Grand, the largest hotel on earth and the venue last weekend for Barbra Streisand's multimillion- dollar return to live, paid performing) have opened on the Strip in just the past three months? How can you not love and hate a city so freakishly democratic that at a hotel called the Mirage, futuristic-looking infomercial star Susan Powter and a premodern Mennonite family can pass...

Author: /time Magazine | Title: Las Vegas, U.S.A. | 1/10/1994 | See Source »

...more romantic, personal terms. We're looking for sensual, extended gratification." In other words, Disney World is about tightly scripted smile-button fun for the kids; Las Vegas, despite the new theme-park accessories, remains the epicenter of the American id, still desperate to overpay schmaltzy superstars like Barbra Streisand, still focused on the darker stirrings of chance and liquor...

Author: /time Magazine | Title: Las Vegas, U.S.A. | 1/10/1994 | See Source »

...Disney's "Aladdin." In deciding on a persona for the housekeeping job Miranda advertises, he and his make up-wizard brother (Harvey Fierstein) run through a list of accents and outfits in a ridiculous procession a la "Aladdin" 's "Friend Like Me." After ranging from a Russian babushka to Barbra Streisand, he settles down as the matronly, English accented Euphegenia Doubtfire, and the movie's triumph is that Williams is convincing in this role. While it is still rather odd that Miranda experiences deja vu only at the film's outset, and the children never suspect him, the complete transformation...

Author: By Diane E. Levitan, | Title: Mr. Mom Goes Geriatric | 12/2/1993 | See Source »

...became the moviegoing teenagers of the '60s and '70s, however, Hollywood's output of musicals shrank radically, and the genre had its last hurrah as an effectively two-woman industry: there were Julie Andrews musicals (Mary Poppins, The Sound of Music, Thoroughly Modern Millie), and there were Barbra Streisand musicals (Funny Girl, Hello, Dolly!, Funny Lady), and that was about it. Grease, a distant 15 years ago, was the last traditional movie musical to become...

Author: /time Magazine | Title: Spectator Cartoons Yes, Humans No | 11/22/1993 | See Source »

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