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Follies is now the West End's most profitable show and appears to be headed back to Broadway. Combined with the 3 million-copy sales of Barbra Streisand's 1985Broadway Album, featuring Sondheim songs, and the annuity represented by his copyrights, notably West Side Story and Forum, the new hits yield fortune as well as fame. Money does not seem to mean much to Sondheim -- "I turn it over to my accountants and do what they tell me to" -- and, for a man who acknowledges he sometimes makes more than $1 million a year, he does not seem to believe...

Author: /time Magazine | Title: Stephen Sondheim: Master of the Musical | 12/7/1987 | See Source »

...Claudia Draper (Barbra Streisand), love is felonious assault, and she has the open wounds to prove it. Her mother's plaintive "I love you" may be a threat or a curse. Her stepfather's caress may have been foreplay to child abuse. Her ex-husband's ardor may have sheathed sexual brutality. Indeed, the smothering affections of all people may have driven Claudia nuts. That is why she sits edgily in a New York City courtroom, at a hearing to determine if she is competent to stand trial on a manslaughter charge. Claudia is a $500-an- hour call girl...

Author: /time Magazine | Title: Cinema: Lovelorn, Headstrong | 11/30/1987 | See Source »

Hollywood, ever cautious, has yet to make an AIDS film, although The Normal Heart may soon be produced by Barbra Streisand. Nor have rock musicians, trapped in machismo, done much to raise money and consciousnesses. In pop music, that is mostly women's work. And women, like Madonna, are doing splendidly. Dionne Warwick's megahit single That's What Friends Are For raised more than $1 million for AMFAR. Cyndi Lauper's royalties from Boy Blue, about a friend who died from the disease, will go to New York City AIDS research and patient care. Says Elizabeth Taylor, a ferocious...

Author: /time Magazine | Title: Show Business: How Artists Respond to AIDS | 7/27/1987 | See Source »

Auntie Ree emerged in the early '60s as part of an impressive sorority -- soul sisters from all over. Cousin Dionne, working within the ricochet rhythms of Burt Bacharach's songs, built a brand-new bridge connecting gospel urgency to show-tune sophistication. Barbra Streisand moonlighted from Broadway and never went back. The jazz inflections of Nina Simone and Sarah Vaughan enriched the vocabulary of pop. The megaton voices of Jackie DeShannon, Dusty Springfield and Timi Yuro lent powerful shadings to love songs. And the girl groups -- all the -elles and -ettes, the Supremes and Shangri-Las -- kept teen pulses surging...

Author: /time Magazine | Title: Show Business: The Prom Queen of Soul | 7/13/1987 | See Source »

...hour specials, interviewing such constitutional experts as Supreme Court Justices Harry Blackmun, Sandra Day O'Connor and William Brennan. ABC's entertainment division is preparing a one-hour tribute titled The Splendiferous Wham-Bam Constitution Special that will feature a number of stars, including Michael J. Fox and Barbra Streisand. On a serious note, both the ABC and NBC news divisions will present specials on differing interpretations of the Constitution...

Author: /time Magazine | Title: LIVING There's a Big Party On! | 7/6/1987 | See Source »

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