Word: barcelona
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Dates: during 1950-1959
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...world's richest private collections, amassed by Spain's late Francisco de Assis Cambo, was back home last week after a 3½-year tug of war between Argentina and Spain. As the cream of the collection was readied for hanging in Barcelona's Museo de Arte de Cataluna, Spaniards discovered that the prize was well worth the haggling. Spread out before them was an eye-filling feast of masterpieces by Spaniards Zurburan, Murillo and Goya and such other masters as Rubens, Cranach, Tiepolo, Botticelli and Correggio...
That same day, 400 miles away, the 200 village families of Navajas near Valencia dedicated a plaque reading: "To Fleming as a sign of gratitude." By week's end Barcelona, Spain's most bustling city (pop. 1,087,099) unveiled a marble bust, and the Gijón scene was repeated. Madrid soon will have its monument; Manzanares already has its Calle Fleming...
...more fiery spirit was the late Spanish-born Julio Gonzalez, son of a Barcelona goldsmith. A tutor to fellow Barcelones Pablo Picasso, Gonzalez hammered out of sheet iron figures in praise of the peasant girls of his native land (see cut). Among the first of the Americans was Mobile-Master Alexander Calder, who strung together cut-out metal forms to create a moving, pulsating world of abstract form slowly moving in space...
...solid tip that such a collection did exist was given to pretty, U.S.-born Rosamond Bernier, onetime Paris Vogue staffer and now co-editor (with her French husband) of a new, ambitious art review, L'Oeil (circ. 30,000). Address of the collection: 48 Paseo de Gracia, Barcelona. The owner: Picasso's younger sister, Maria Dolores de Vilato. Editor Bernier, who eight years ago charmed Picasso into letting her get the first pictures of his Antibes paintings, headed straight for Barcelona. The pictures of the early Picassos and the family apartment, published last week in L'Oeil...
...sale first to the Louvre, which turned it down, then to a Paris art dealer. Last year Chicago Art Institute Director Daniel Catton Rich saw a photograph of the disputed masterpiece. He cabled a colleague to check the original, and the painting was finally authenticated by experts in Barcelona and Madrid. Last week The Crucifixion hung in the Chicago Institute's Spanish Gallery with the institute's other two Zurbarans. Said Director Rich with understandable satisfaction: "In my opinion, it is one of the greatest paintings by Zurbaran...