Word: bardelys
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Figuring that it should stick to its roots of critical success, Miramax Studios is once again exploiting William Shakespeare. With the 1998 success of Shakespeare in Love, the fictional adaptation of the life of Shakespeare, this time the studio is at least sticking to the great bard's words-or some of them, at least. (Haven't we seen this before) The only catch is they are grossly distorting the traditional setting to a glitzier Hollywood of the 1930s. The classic and comedic tale of oaths and devotion, love and loyalty, takes on an entirely new twist when plopped down...
...spanning a range from the familiar a cappella jams and orchestra concerts to the lesser-known stylings of Lowell House's Senegalese drummers and the Madrigal Quintet. For Shakespeare fans, though, the choice is even tougher, as this weekend and the next will see four different productions of the Bard's work going up around campus. The upcoming shows offer perspectives ranging from a minimalist treatment of Romeo and Juliet to an elaborate staging of Trollius and Cressida as a post-apocalyptic desert rave. "I can't think of a more different set of productions than the four that will...
...politicians, burbling over how to educate the underclass, would do well to stop by Room 56 this week, as Rafe Esquith's fifth-grade class mounts its annual Shakespeare play. There are few costumes--mainly T shirts inscribed with an image of the Bard under the words WILL POWER. Most of Esquith's 29 pupils are classified as gifted or high achievers, but that hardly guarantees success in an environment where poverty and gangsterism are endemic. Some of his incoming students this year "didn't know two times three," he says. "Four of them couldn't write a sentence...
...extent to which this poet or bard can be called a Christian has prompted much scholarly disagreement. He alludes to the Old Testament and expresses a monotheistic religious faith: "Almighty God rules over mankind/and always has." But the characters in the poem behave according to a moral code in which loving one's enemies and hoping to be redeemed in heaven figure not at all. As Beowulf prepares to fight his second monster, he announces his credo: "It is always better/to avenge dear ones than to indulge in mourning./For every one of us, living in this world/means waiting...
Shakespeare has caught a few breaks at the movies lately. Romeo and Juliet and Richard III became vigorous films that did honor to both the Bard and the medium. Now Julie Taymor, the magician who on Broadway turned The Lion King menagerie into masked enchanters on stilts, takes Shakespeare's goriest play, Titus Andronicus, and makes it vivid, relevant and of elevating scariness...