Word: bardem
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...nefarious deal has gone very wrong and the young man sees no reason not to avail himself of its residue. He's madly in love with his wife, Carla Jean (Kelly Macdonald) and would like to buy her some nice things. He, however, reckons without Anton Chigurh (Javier Bardem), who is an all-star psychopath. His preferred murder weapon is a pneumatic device the ranchers use to put livestock out of their misery and he sometimes asks his potential victims to flip a coin. If they call the toss correctly they live; if they don't they die. Across from...
...that Coppola has shaken the blahs, he'll get back behind the camera again and start shooting a script of his own - still not Megalopolis - in Argentina in February. Tetro, starring Matt Dillon and Javier Bardem, is "about fathers and brothers and creative competition, a little Greek." In September thieves broke into Coppola's home studio in Buenos Aires. "Five guys tied up the people, stabbed the photographer in the shoulder when he resisted and stole our electronics," including Coppola's computer with the Tetro script on it and his backup drives. "The script was finished. It made Hamlet look...
...shame No Country for Old Men doesn't officially open till Nov. 9, since it has a villain crazier, scarier and more implacable than any Halloween horror ghoul. As incarnated by the great Javier Bardem, Anton Chigurh is a killer from hell who likes to play mind games with his victims before he makes them play dead. How could an ordinary fellow like Llewelyn Moss (Josh Brolin) hope to elude this monster, when Moss has $2 million that Chigurh plans to get back without saying please...
...film, reportedly called Midnight in Barcelona and slated for a September 2008 release, stars Scarlett Johansson as an American tourist caught in a love triangle with a local painter (Javier Bardem) and his jealous ex-girlfriend (Penélope Cruz). Given Allen's trademark of turning the cities in which he shoots into distinct characters (Manhattan; the London of Match Point), Barcelona can expect a loving portrayal of its ancient streets and charming port restaurants...
...That judgment applies particularly to Bardem's performance as the loathsome Lorenzo. In the beginning, as he volunteers to lead the newly revived Inquisition, he is all soft-voiced reason. He is polite to the point of obsequiousness, not only to his church superiors, but even to the people he torments. Creepy, well-met and utterly corrupt, and when the French invade he simply disappears - only to reappear later as, of all things, a Voltairian rationalist, married, with children, and growing rich as an enforcer for Spain's occupiers. He is, in his way, also a perfect modernist, blowing blandly...