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Word: bardot (lookup in dictionary) (lookup stats)
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Married. Brigitte Bardot, 31, prototype cat for Europe's sex kittens; and Gunter Sachs von Opel, 33, heir to a West German ball-bearing fortune and one of the Continent's best-known hedonists; she for the third time, he for the second; in Las Vegas...

Author: /time Magazine | Title: Milestones: Jul. 22, 1966 | 7/22/1966 | See Source »

Eighteen-year-old Brigitte Bardot made her first splash there in a bikini, wiggling her way into the hearts of photographers; Simone Signoret's smoldering stare set the place afire back in 1949; Sophia Loren jumped from bulging starlet to blossoming actress when she made the scene in 1955. Ever since it began, the Cannes Film Festival has been a springboard for victory and vulgarity, for fine art and flapdoodle. This year the festival is 20 years old, but it is still deep in the throes of adolescence: serious and intense one moment, strained and silly the next...

Author: /time Magazine | Title: Festivals: Fine Art & Flapdoodle | 5/20/1966 | See Source »

French photographers may not be quite as notorious as Italy's pugnacious paparazzi, but they are no less unscrupulous about invading people's privacy. When they are not wading out into the Mediterranean to sneak pictures of Brigitte Bardot semi-nude on her private beach, they are risking their necks schussing down the ski slopes of the Alps on the track of the Aga Khan. In one typical operation they took a picture of a Parisian professor chatting with one of his students in a Left Bank bistro, then used it to illustrate an article attacking "old pigs...

Author: /time Magazine | Title: The Press: The Value of Privacy | 4/1/1966 | See Source »

...collaboration of Bardot and Moreau has evidently cost Malle a good deal of directorial control, and every inch of control sacrificed in Viva Maria! has blossomed into yards of artistic chaos...

Author: By Jeremy W. Heist, | Title: Viva Maria! | 3/23/1966 | See Source »

...account for the anticlimax, where sequences build to such banal exchanges as: (Bardot) "If my father saw me in clothes like these!" (Moreau) "Hurry up! We're going to the dance!" Then the beginnings of an exit, such as you get on high-school stages when there's no room in the wings. It's clumsy, and unlike Malle. Some of these scenes might seem less vacuous to French ears deaf to the banal dialogue spoken in English. I suspect that one scene, where some Negro officials sit around sipping tea, is built almost entirely of phrases from English textbooks...

Author: By Jeremy W. Heist, | Title: Viva Maria! | 3/23/1966 | See Source »

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