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Word: barebacked (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...circus setting. But the characters are mostly sawdust figures in a stock movie melodrama. Fredric March, as the circus manager and clown tightrope-walker, gives an earnest performance that seems to recall a little too strongly his confused Willy Loman in Death of a Salesman. Terry Moore as his bareback-riding daughter and Cameron Mitchell as a circus handyman in love with her are merely displaced Hollywood juveniles. Gloria Grahame as the circus manager's sultry young wife and Adolphe Menjou as a secret-police officer carry more conviction, but the best performances are bits, e.g., Alex...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 27, 1953 | 4/27/1953 | See Source »

Riding only his two specialties-bareback broncs and wild bulls-the self-made cowboy outdid the best from the West, and won world titles in both events...

Author: /time Magazine | Title: Sport: Self-Made Cowboy | 1/5/1953 | See Source »

...five days of the championship competition, 73 competitors roped and rode through the full rodeo schedule. The rough & tumble rides (for eight-second "eternities") on the 1,500-lb. brutish Brahmans* were matched by other wild & woolly events: bareback bronc riding, bulldogging, wild cow milking...

Author: /time Magazine | Title: Sport: College Rodeo | 5/21/1951 | See Source »

...first mobiles Calder made were wood and wire animals that moved in lifelike fashion when pulled about on strings. He designed them for a toy firm when he was down & out in Paris a quarter of a century ago. Next came a circus, composed of wire figurines that rode bareback, swung from trapezes and burst through hoops when Calder, crouched intently on the floor, released the proper springs. He entertained his friends with it, found it furiously lampooned as "Piggy Logan's Circus" in Thomas Wolfe's novel You Can't Go Home Again...

Author: /time Magazine | Title: Art: Connecticut Yankee | 1/8/1951 | See Source »

...been partly in spired, said Marini, by the equestrian statue of Marcus Aurelius in Rome's Pi azza del Campidoglio. But there was noth ing conventionally heroic about Marini's riders ; they were scared, not proud. They looked, indeed, very much like lonely, out size babies mounted bareback on broad, unbridled Mongolian ponies - going no where. Marini had carved them with mingled delicacy and deliberate awkward ness, sacrificing handsomeness to pathos...

Author: /time Magazine | Title: Art: Endurance | 2/27/1950 | See Source »

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