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...late, Neil Simon's plays--particularly Barefoot in the Park and The Odd Couple--have become prototypes of the well-constructed comedy. The elements that Simon uses--the faltering young marriage, the faltering old marriage, and the freethinking teenager or postteenager--also find their way into everybody else's comedies. And J.A. Ross's Happily Never After simply can't resist overdoing a trend...

Author: By James Lardner, | Title: Happily Never After | 2/17/1966 | See Source »

...throws the stalest book in the house at the house, the story of a doxy with a heart of gold, a taxi dancer who always falls for men who are either too sly or too shy to do her any good. In his weakest script to date, Neil Simon (Barefoot in the Park, The Odd Couple) seems to have heard rather than written the gags, and the dialogue is stippled with vulgarities, presumably aimed at the expense account trade...

Author: /time Magazine | Title: Theater: Terpsichore's Child | 2/4/1966 | See Source »

...week watched Paris designers raising dresses higher and higher, there came a moment when the eyes had to come down. And there, right at floor level, many observers found their news. It was in shoes. Never has high-fashion footwear been so low. When models didn't walk barefoot, they paraded out in flat Mary Janes with straps round the ankle or across the instep. What heels there were, came in the shape of round rhinestone-covered balls or thick Pilgrim squares...

Author: /time Magazine | Title: Fashion: C'est chic, la plastique | 2/4/1966 | See Source »

Norton raced six miles barefoot through he fung'e to secure help, after his pistol charged with birdshot, failed to fend on the assailants. In a 4000-mile ham radio lookup with the CRIMSON yesterday Norton said "I had so much adrenalin in me could have run on my head...

Author: NO WRITER ATTRIBUTED | Title: 20 Ecuadorans Admit Attacking Researchers | 11/12/1965 | See Source »

Five or six years pass. Cats beget kittens, frauleins beget G.I. issue from the Army of Occupation, bad jokes beget worse ones, and Producer-Director Gottfried Reinhardt (whose wife, Silvia, perpetrated the scenario) underscores the ironies by barreling in beer-hall background music. Actor Redford, a winner on Broadway (Barefoot in the Park), overworks his smooth, stagy comedy style to diminishing effect. Working even harder, Actor Connors curiously resembles those lacquered leading men who proliferated in Hollywood during the '40s while everyone else was away...

Author: /time Magazine | Title: Cinema: Sir Alec the Less | 10/29/1965 | See Source »

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