Word: barely
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Dates: during 2000-2009
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...right, temporary exhibition galleries occupy the first floor, with design and architecture above them, and on the third floor, a restaurant and that sculpture terrace. The dimensions of this atrium are pretty compelling. The long aisle just about siphons you into the museum. But the high expanses of bare white wall, a Modernist fetish, are a little bland. You wonder what might have been done in this space by Herzog and de Meuron, the designers of the Olympic Stadium in Beijing, who don't mind jolting their surfaces...
...shopping, he was always taking the staircase. I asked why he was afraid of the escalator. He couldn't explain it. Then one day, his mother told me that when he was 5 years old, a little girl was on the escalator just in front of him. She had bare feet, and no socks on. And her feet got mangled. It was such a dramatic experience that he never forgot it, at least in his nonconscious part of the brain. In his conscious part of the brain, he totally forgot about it. But whenever he saw an escalator, an alarm...
...last month, a few Harvard women left this Friday night scene and boarded a bus to Wellesley, and a world where women replaced their dresses with lingerie, leather, and studs. One daring woman left her top bare other than rainbow suspenders covering her nipples, while another dressed as a condom...
...change in philosophy, and until “Together Through Life,” that fact was easy to forget. After two albums consisting entirely of folk covers on acoustic guitar, “Time Out of Mind” saw Dylan stepping away from a bare musician’s role and toward a more auteristic philosophy, prompted by Daniel Lanois’ production. The arrangements on that album were lush and spacious, propelled by lively performances from seasoned studio musicians—his tightest band since the mid-70s. Dylan produced the three albums that followed...
It’s easy to look at the empty Loeb Mainstage—a cavernous 556-seat theatre—and see only a bare, dark void. For set designer Grace C. Laubacher ’09, however, the theatre becomes a blank canvas, the medium for her art. From the skeletal, caged streets of London in “Sweeney Todd” to the scientific underworld of “The Space Between,” Laubacher has been set designer and technical director for more than 20 productions on campus.In recognition of her extensive work, Laubacher...