Word: barenboim
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Cellist Jacqueline du Pre was classical music's golden girl. When she performed, her blond tresses flew, her body undulated to the music, and the passion in her playing stirred the hearts of her listeners. Du Pre's marriage in 1967 to the equally charismatic pianist and conductor Daniel Barenboim added the glitter of sex and glamour to her already glowing mystique. Then in 1973, at the age of 28, she was forced to retire by the onset of multiple sclerosis. When she died in 1987, admirers, particularly in her native Britain, canonized her as a musical genius and lamented...
...sister and brother, Hilary and Piers du Pre: Hilary and Jackie (Ballantine; 350 pages; $12.95), which was originally published in Britain under the title A Genius in the Family. The other is by cellist Elizabeth Wilson, written with the encouragement of Du Pre's widower, Barenboim: Jacqueline du Pre (Arcade; 466 pages; $27.95). The release of a new film, also titled Hilary and Jackie and based on the book by Jacqueline's siblings, promises to take Du Pre's story, and the battle over her legacy, to an even larger audience...
...also thorny modernist works such as Alban Berg's Wozzeck, which last week got a stunning new production that typifies the Krainik style. Krainik had originally planned the project as a co-production with the Chatelet Theatre Musical de Paris, to be conducted in Paris and Chicago by Daniel Barenboim. Following the French performance, Krainik decided that the lighting design was unsuited to the Lyric's stage. "It would have cost us an extra $600,000 just to put up and take down the lights," she explains. So, undaunted, she hired a new director, designer, conductor and soprano to complement...
...none of its famous precision. Yet as buffed by Pierre Boulez, who became musical adviser after Szell's death in 1970; by Lorin Maazel, music director from 1972 to 1982; and now by Dohnanyi, it has added a voluptuousness that sets it above its stiffest American competition -- principally, Daniel Barenboim's Chicago Symphony, Leonard Slatkin's St. Louis Symphony and Kurt Masur's New York Philharmonic...
...Verdi, Bartoli says, "Never!" Carmen has been offered by several houses and turned down -- at least until she is in her 30s. The wise men who hover over her career, like Barenboim and Levine, hope she sticks to her resolve. The fact is that, lovely as her voice is, it is not large. But 26 is very young. It is nearly impossible to predict how a voice will develop; the supreme Wagnerian Kirsten Flagstad sang operetta in her 20s. "You must never force," Bartoli insists. "The test is after the concert: Is the voice still fresh so that you could...