Word: baring
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...discos are strobe light-years removed from the borax boîtes of the '60s-most of which died a well-deserved death. In place of the tacky, bare-wall closets wired for din, push and crush, the best new places project sensuality, exclusivity and luxury. And they are booming: there are some 15,000 discos in the U.S. today, v. 3,000 only two years ago. Many of the night places are for members only, with fees and dues ranging as high as $1,000 a year. Many have good-and expensive-restaurants and such added recreational lures...
Transformed by Dignity. On the bare cypress-wood stage of the Nō theater, the actor's robe is both costume and set. Its stiff, voluminous folds, bulked out with padding and under-robes, suggest architecture. The actors move slowly-Nō acting is more remarkable for stateliness than agility -and the audience has time to inspect the details of a costume. (Nevertheless, the work represented in the Tokugawa collection can hardly have been fully appreciated onstage, any more than the craftsmanship of a medieval chasuble can be discerned from the church pews.) It follows that...
...real-or at least, the visible -work began. At first, Lucas thought of making Tatooine, where much of the action takes place, a jungle planet, and Producer Gary Kurtz went to the Philippines to scout locations. But the bare thought of spending months shooting in the jungle made Lucas itchy, and presto, with the touch of an eraser, Tatooine became desert. Kurtz was off searching again, this time to Tunisia, which became Tatooine...
...tourists who climb secret staircases and descend into the dank depths of dungeons wear bags of garlic round their necks-the traditional method of warding off the vampire's bloodsucking kiss. In the spirit of the occasion, local schoolchildren wave their arms like bat wings and bare their budding fangs for visitors' cameras...
...unsettling at times begs for a technical slip-up to relieve the tension. Here the gay jokes supply the only possible relief: you can either laugh at them or scoff at them, deciding that they undermine the play's deeper solemnity. But Herbert still means above all to lay bare the barbarous code that prisoners live under--and what it means for men of sensibility to succumb, or not to succumb, to that code. And if you let it, this production brings home that statement with poignancy...