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...kids were allowed to track and keep it. "You could get a small white leghorn, feed it on grain for two weeks and then sell it for a dollar. That was big money when people were making ten cents an hour." For play, kids tossed their chickens out of barn lofts to see how far they could fly. From that recollection came the great flying chicken contest...

Author: /time Magazine | Title: In Ohio: A Fowl Spectacle | 7/2/1979 | See Source »

...mystery remains. Dr. Jack Bryan, chairman of veterinary science at the University of Kentucky, ticks off the contributions of his profession to the sport, from the use of antibiotics to treat barn cough to new surgery techniques to remove bone chips. Then he admits, "I don't think they have anything to do with it. A Triple Crown winner is a running machine with courage. Nobody knows where that comes from...

Author: /time Magazine | Title: Sport: Riddle of the Triple Crown | 6/11/1979 | See Source »

...boon to audiences like Boston's is huge. The seven productions the Met has taken on tour this year represent the best of its repertory. Boston audiences still must endure the conditions of Hynes Auditorium--universally referred to as a "barn," with poor acoustics and bad sight lines. But in 1981 the Met in Boston will move to the refurbished Music Hall, and the last major advantage the New York house can claim will disappear...

Author: By Scott A. Rosenberg, | Title: Meet the Met: | 4/26/1979 | See Source »

...noble savage whom Captain Cook brought back from Tahiti to the court of George III. America loved Grandma Moses as the representative of natural virtue-the ambassadress of a past that was al ready being sentimentalized on an industrial scale. Her America of checkered farmhouses, old oaken buckets, barn-raising parties, whirring buggy wheels, and quilting bees was not the America of the Korean War, the TV-quiz scandals, the McCarthy terror and the Detroit assembly lines. But it had been a real place, and Grandma Moses not only knew it well-she had lived all her life on farms...

Author: /time Magazine | Title: Art: The Old Lady of Eagle Bridge | 4/2/1979 | See Source »

...graceful colorist, seldom candied or sentimental, and never coarse. In those blue-gray distances of field and forest, punctuated by the silhouette of a horse (the creature's profile cut like a weather vane, as though by shears) or the bright red caesura of a barn, one sees the equivalent of perfect natural pitch in singers: an instinctive truth of tone, the mark of a born painter. At her best, she makes nearly every American "primitive" who has appeared since her death look postcardy; her own nostalgia, however tempered by cuteness now and then, has not lost its ability...

Author: /time Magazine | Title: Art: The Old Lady of Eagle Bridge | 4/2/1979 | See Source »

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