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...City's Nelson Gallery wrote: "The cheeselike surface of his formica triptych opens to reveal-absolutely nothing. This work reaches clear into the unlimited recesses of the mind: recesses that could frighten." Sam Hunter, critic and director of Manhattan's Jewish Museum, commented on a work by Barnett Newman, maximum leader of the minimalists; it was a large canvas, all red except for four thread-thin vertical stripes. Wrote Hunter: "These fragile and oscillating stripes play tricks on the eye and the mind by their alternate compliance and aggression. Brilliantly visible and all but subliminally lost . . . their cunning...

Author: /time Magazine | Title: Essay: WHAT IS ART TODAY? | 1/27/1967 | See Source »

Among those who left was James Silver, chairman of the History department and author of Mississippi: The Closed Society, an account of Mississippi's well-oiled system for stifling dissent. Although Silver was not actually fired, Governor Ross Barnett and the Board of Trustees were openly hostile to him. After the departure of Silver and some other faculty liberals, Ole Miss Chancellor J.D. Williams commented, "It's best that they go--it is best for them, it is best...

Author: By William C. Bryson, | Title: Ole Miss Begins Its Slow Slide Backwards Into the Security of the Comfortable Past | 12/8/1966 | See Source »

What sets the Committee off is not easily discovered. Madame Nhu, Floyd McKissick, and a host of other controversial speakers have passed muster with the Committee. But in 1959 the group balked at Fidel Castro, and in 1963 a few members suggested informally that Gov. Ross Barnett of Mississippi should speak elsewhere (he did). Last week, the Committee vetoed a speech by Stokely Carmichael...

Author: NO WRITER ATTRIBUTED | Title: The Rindge Lockout | 10/24/1966 | See Source »

...change was partly smart tactics, partly a result of the fresher racial climate that Governor Paul Johnson has managed to create in Mississippi. Though no more of an integrationist than his predecessor, demagogic Ross Barnett, Johnson knows well that racial savagery can only scare off badly needed Northern industries. Moreover, unlike most segregationists he realizes that bla tant oppression merely helps the civil rights cause. As the march entered its second week, Johnson passed the word: keep cool...

Author: /time Magazine | Title: Mississippi: Br'er Fox | 6/24/1966 | See Source »

Bland & Bleak. Historically, the artists acknowledge a debt to the Russian constructivists, and have words of praise for the industrial approach of such sculptors as Alexander Calder and the late David Smith. They wax hot for Geodetic Architect Buckminster Fuller. Their enthusiasm for painters tends to focus on Barnett Newman, whose works are uncompromising vertical stripes, and Ad Reinhardt, whose severely dark-hued abstracts look almost jet black...

Author: /time Magazine | Title: Sculpture: Engineer's Esthetic | 6/3/1966 | See Source »

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