Search Details

Word: barnetts (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Tamed years ago by the building of Ross Barnett Dam and Reservoir four miles north of Jackson, Miss., the Pearl River has been a placid, peaceful stream. But last week unwary residents along its banks scrambled to get out of the way of its onrushing water. In some of Jackson's finest neighborhoods, owners of $100,000 to $200,000 homes frantically heaved furniture and other possessions onto their rooftops as the river spilled 25 ft. over flood stage and lapped at the eaves. Residents in boats actually had to look down at nearly submerged street signs to know...

Author: /time Magazine | Title: Nation: The Pearl Proves Costly | 4/30/1979 | See Source »

...cause of the worst flood in the history of Mississippi's capital city was a series of torrential rains (19 in.) during the week before Easter. The runoff water threatened to burst the Barnett Dam, forcing the Army Corps of Engineers to make a hard choice: 1) it could restrain the flow, gambling that the dam would hold, but risking a catastrophe if it did not; 2) it could ease pressure by releasing controlled amounts of water, pushing the Pearl over its levees and into Jackson. It chose the second...

Author: /time Magazine | Title: Nation: The Pearl Proves Costly | 4/30/1979 | See Source »

Magritte died in 1967, aged 68, but his work continues to serve its modern audience rather as the sultans of Victorian academic painting, the Friths and Poynters and Alma-Tademas, served theirs a century ago-as storytellers. Modern art was supplied with mythmakers, from Picasso to Barnett Newman. But it had few masters of the narrative impulse, and Magritte, a stocky, taciturn Belgian, was its chief fabulist. His images were stories first, paintings second, but the stories were not narratives in the Victorian manner, or slices of life or tableaux of history. They were snapshots of the impossible, rendered...

Author: /time Magazine | Title: Art: Enter the Stolid Enchanter | 3/5/1979 | See Source »

...Brice Marden's wax-encaustic panels, is beautifully made, but the craftsmanship is placed at the service of no discernible idea; it is art's answer to the well-made play, a kind of systematic decor-though (mercifully perhaps) with out the metaphysical pretensions of its ancestor, Barnett Newman's work. More likable are the folded tracing-paper drawings by Dorothea Rockburne, with their spare geometry of arc and line appearing through superimposed translucencies of paper−the product, if not of passionate invention, at least of rigorously organized taste. The problem with work of this kind...

Author: /time Magazine | Title: Art: Roundup at the Whitney Corral | 2/26/1979 | See Source »

...matter; and although platoons of later critics would discuss abstract expressionism in purely formalist terms, the painters themselves were obsessed by content. "We assert," said Mark Rothko, "that the subject is crucial and only that subject matter is valid which is tragic and timeless." His "we" included Clyfford Still, Barnett Newman, William Baziotes, Theodores Stamos and, in greater or lesser degrees, all the abstract expressionists with the possible exception of de Kooning...

Author: /time Magazine | Title: Art: The Tribal Style | 10/16/1978 | See Source »

Previous | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | Next