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Also on the grounds at Rabun Gap-Nacoochee are a dozen tenant farmers and their families, who send their children to the school, attend adult classes in better farming methods. A dairyman, for example, gets a $30,000 farm unit with a house, a barn and cows, and can stay ten years in return for splitting his profits with the school. By universal sharing, the school is thus combating what President Anderson calls "too much giveaway today." Says he: "We have no miracle pills here-just opportunity...

Author: /time Magazine | Title: Schools: Pay As You Work | 1/4/1963 | See Source »

...ENGLAND IMAGE, text and photographs by Samuel Chamberlain (192 pp.; Hastings House; $ 12.95). This is for spiritual New Englanders, the exiled yearners who can look at a plain wooden barn in a rocky Vermont field and see the Parthenon. It is customary to photograph New England in color (all those leaves), but the author's choice is black and white, and it is the better, sterner...

Author: /time Magazine | Title: Books: Merry Christmas, $25 Worth | 12/7/1962 | See Source »

...counterparts only because it has some technical disfigurement. To the tweezer-and-magnifying-glass set, discovery of such minor imperfections as missing watermarks or too-much-violet-in-the-carmine is like finding a Rembrandt painted under a Rousseau or a mint-condition 1908 Locomobile in a hay barn...

Author: /time Magazine | Title: Hobbies: Oh Dag, Poor Dag | 11/23/1962 | See Source »

...receive 56 canvases heisted last year in one of the Riviera's most daring fric-fracs (TIME. July 28, 1961). Tipped off by an anonymous letter to France's Minister for Cultural Affairs Andre Malraux, police found the robbers' cache stashed away in a dilapidated barn 50 miles west of Paris. The $1,500,000 worth of art, including works by Matisse, Dufy, Utrillo and Bonnard, had come through the ordeal almost unscathed; among the rolled-up canvases, only two were slightly damaged...

Author: /time Magazine | Title: Art: From a Dilapidated Barn | 11/23/1962 | See Source »

...know what art is. If he is painting pure abstracts, he can't validly title them with anything more than numbers. If he is an impressionist of any sort, he should have some idea of what he is painting before it is painted and out drying behind the barn. Knocking art academies is folly. Mr. Rutman has never been to one. How he can fail to see the inherent value of formal art training and criticism is inconceivable. Mr. Rutman's actual complaint is that the museums refuse to replace their restored masterpieces with his red blotches...

Author: By Henry Schwarz, | Title: Gothic Man in an Atomic Age | 10/5/1962 | See Source »

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