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...French Composer Henry Barraud's Third Symphony, played on the same program with Piston. It proved to be a craggy piece that achieved its emotional impact through a series of sharp contrasts. The music was by turn slow, dense, lyrical, harsh, full of sharp emotional edges. Composer Barraud got a polite hearing but sent his audience delving into their programs in search of the unifying idea the music seemed to lack. CJ Peter Mennin's Piano Concerto, performed in Manhattan by the Cleveland Orchestra, which commissioned the work, along with eight others, to celebrate its 40th anniversary...

Author: /time Magazine | Title: Music: Premieres | 3/17/1958 | See Source »

Students at Tanglewood this weekend--the next to last one of the season--will have the chance to hear works by Barraud, Falla, Ravel, and Stravinsky on Friday and by Moevs, Mozart, and Prokofieff Saturday evening. The Sunday concert will feature Copland's Symphonic Ode, Tchaikovsky's Violin Concerto with Zino Francescatti as soloist, and Schumann's Symphony No. 2, in C major. Conductors will be Eleazor de Carvalho Friday, Leonard Bernstein Saturday, and Charles Munch Sunday...

Author: NO WRITER ATTRIBUTED | Title: Trip to Tanglewood Leaves on Friday | 8/2/1956 | See Source »

Added Composer Henry Barraud: "If there is any crisis, it is . . . a crisis of the imagination . . . What matters is that you have something...

Author: /time Magazine | Title: Music: A Problem of Style | 9/19/1949 | See Source »

Their first concert was in Bridgeport, Conn., in a kind of sneak preview before their big night in Carnegie Hall. After five curtain calls, Musical Director Henry Barraud asked an American: "Is that good? In France that would be very good...

Author: /time Magazine | Title: Music: Fresh Off the Boat | 10/25/1948 | See Source »

...ears, used to lush, soaring strings, France's finest sounded a little thin. True to French tradition, the woodwind choir was outstanding (many a top U.S. woodwind player learned his trade from the French). Some in the audience missed the drilled precision of U.S. orchestras. Explained Director Barraud: "Our musicians are individualists. I don't mean that one violinist will be pushing up his bow while another is pulling his down, but there are differences in technique. We may not be so mechanically perfect-but we sound better." Few listeners were ready to go that far, but most...

Author: /time Magazine | Title: Music: Fresh Off the Boat | 10/25/1948 | See Source »

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