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Word: barrault (lookup in dictionary) (lookup stats)
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...drapes of black and grey, so readily shifted for change of scene that the play flowed pauselessly as fate itself to its blood-slippery conclusion. The cast, down to the minor roles, played with assurance and conviction. Head & shoulders above this excellent support stood the Hamlet of Louis-Jean Barrault, onetime pantomimist and cinemactor, and a brilliant renegade from the Comedie Française. Barrault's Hamlet was real, immediate, full-bodied, and above all intelligent...

Author: /time Magazine | Title: The Theater: Hamlet in Paris | 10/28/1946 | See Source »

...story of the Paris theater in 1848, Les Enfants du Paradis was made by the brilliant team which produced Port of Shadows and Daybreak-small, elegant Director Marcel Carne and weedy, irrepressible Writer Jacques Prevert. Its stars include Jean-Louis Barrault and Pierre Brasseur, who emerge from four years' darkness as two of the greatest French actors of their generation. According to TIME Correspondent Sherry Mangan, the film "sums up, crowns and finishes off" the great French cinematic tradition "in the way Joyce's Ulysses did for the novel." "It is," cabled Mangan, "the most expensive (some...

Author: /time Magazine | Title: Cinema: Revival in France | 3/19/1945 | See Source »

...tender, and generous, she succeeds in making it credible. If Charles Boyer is overshadowed, it is because the script was so constructed, not because of any weakness in his performance; and the minor characters--even the impossibly naive Gilbert (Robert Manuel) and the eccentric, hardly credible Robert (Jean Louis Barrault)--are skillfully portrayed. Only on one occasion, when the two principal women engage in that lush sentimentality so often employed to resolve a triangle plot, does the pace become slow; and the ending, tragic and impelling in the vein of the whole film, again revolves about Francoise and leaves...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 3/30/1939 | See Source »

...which was published in 1911 when the terrorism of Nihilists and Anarchists in Russia was capturing popular imagination. Razumov (Pierre Fresnay) is a Russian student with no interest in politics and on the verge of a brilliant scholastic career when he finds a boyhood friend named Haldin (Jean-Louis Barrault) hiding in his rooms after assassinating the Prime Minister. Unwillingly stirred by sympathy, Razumov tries to help Haldin escape, but is trapped into betraying him. Tsarist police then force him to become their tool among the other conspirators, who think Razumov a hero because he gave shelter to Haldin. With...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 22, 1937 | 3/22/1937 | See Source »

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