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...Unfortunately, there is very little in this compilation to rival 1959. Instead, there is a miasma of literary criticism and historical analysis: in both genres, Gordimer chooses summary over insight. In References: The Codes of Culturemaking fun of the title would be shooting fish in a barrel we come to the hardly surprising realization that There is no generic reader, out there; in Our Century, Gordimer is a long distance from shocking us with the information that The mushroom cloud still hangs over us, and the unbearably trite corollary question: will it be there as a bequest...

Author: By Joshua Perry, | Title: Nobel Winner Rests on Laurels | 12/10/1999 | See Source »

...bell, twists his wedding ring on his finger, talks a blue streak and then says, "Whoa," as if snapping out of a trance. But he can be artful. Describing his opposition to the G.O.P.'s proposed across-the-board spending cut, he says, "It takes courage to eliminate pork-barrel spending," invoking his war-hero past without mentioning it. He sorts through the sillier items tucked into the recent appropriations bills--$1 million for peanut-quality research ("Can't the peanut people do that?"), $200,000 for sunflower studies in Fargo, N.D.--then thunders about $1 billion in military-construction...

Author: /time Magazine | Title: Campaign 2000: McCain Hits The Sweet Spot | 11/15/1999 | See Source »

...band called God Street Wine to perform. Maybe 500 people showed up. Last year, over 3,000 people came to Springfest because the Violent Femmes were a bigger name and the rides and games that we had were more fun. But we basically scraped the bottom of the barrel for money and this year, we may not be able to do the same because we don't have any extra money lying around like we did last year...

Author: By Noah Z. Seton, | Title: Term Bill Increase Essential | 11/12/1999 | See Source »

...Jimmy: "What impressed me the most about the entire night was not necessarily the music, but rather the dynamic between the audience and the band. I gained a certain familiarity with their two mainstays, Barrel of the "Gun and Airport Song," but throughout the set, the audience sang along and echoed with remarkable clarity all the words to the Seth: "The normal amount of bouncing, jumping and frolicking was nowhere to be found; likewise, the audience was not treated to a repeat of Ryan's crowd surfing (to a boisterous rendition of Neil Diamond's "Sweet Caroline") from this summer...

Author: By Seth H. Perlman and Jimmy Zha, SPECIAL TO THE CRIMSONS | Title: Don't Fear the Future: Guster in Concert | 11/5/1999 | See Source »

...Seth: "Factor in a pile of cameramen shooting footage of most of the concert in hopes of filming a new video for Barrel of a Gun, a few instances of ear-splitting feedback, problems with the mixing, and a restless crowd that punctuated the acoustic (read: no amplification) encore version of "Mona Lisa" with irreverent shouts, and you have a generally disappointing Guster show. This was my fifth live Guster concert, and I can easily say that it was the least enjoyable. The performance itself had its highs and lows. The setlist consisted of a solid...

Author: By Seth H. Perlman and Jimmy Zha, SPECIAL TO THE CRIMSONS | Title: Don't Fear the Future: Guster in Concert | 11/5/1999 | See Source »

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