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News cannot be copyrighted, and can be reprinted by anyone after 24 hours. Since the words of a newsworthy person (even his barroom babble) are news, neither Leonard Lyons nor Bennett Cerf nor any other writer has a right to copyright them...

Author: /time Magazine | Title: The Press: Try & Stop Him | 4/1/1946 | See Source »

...seen it in every saloon and pool hall in the Southwest." Benton decided to paint his own version because he was confident that Cassily Adams' bloody panorama (for which Adolphus Busch Sr. paid $30,000 in 1892) was "not much of a picture." A good many barroom judges will still prefer the original...

Author: /time Magazine | Title: Art: Benton v. Adams | 3/4/1946 | See Source »

Abilene Town (Jules Levey-United Artists) is just one more in a current series of Western omelettes. This time Randolph Scott is the fighting marshal and Ann Dvorak the beautiful, bad-tempered barroom singer. Against a background alive with neighing, gunfire and the sound of crashing wagons, Marshal Scott states the theme by drawling that thar ain't no justice in Abilene Town. He's dead right: hard-drinking cattlemen raid the village every few weeks, brawl in the bars and take pot shots at the God-fearing homesteaders who have settled on the town's outskirts...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 28, 1946 | 1/28/1946 | See Source »

...kiddies won't find it as much fun as their elders will. The picture's chief excitement is Yvonne (Salome, Where She Danced) de Carlo, a vigorous, shapely actress who looks equally luscious in sequins or a fringed doeskin skirt. Minor causes of excitement: horse-chases, barroom brawls, shootings, knife-throwing and a baby teetering over a precipice at the end of a fallen tree. Frontier Gal oversteps the bounds of conventional horse-opera morality by including a kissing marathon and several rough-&-tumble bedroom scenes...

Author: /time Magazine | Title: The New Pictures, Jan. 7, 1946 | 1/7/1946 | See Source »

...story has no place to go, it stops whenever it has an opportunity for a song, a gag, an auto chase or a rough-&-tumble fight. Near the end of all the nonsense, Ann Dvorak puts on a ballet, purporting to be about Montezuma but looking something like a barroom engraving of Custer's Last Stand. Although the ballet seems to have been elaborately and lavishly staged, the camera gives it only a routine glance...

Author: /time Magazine | Title: The New Pictures, Dec. 17, 1945 | 12/17/1945 | See Source »

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