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Word: bart (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...main impression, however, is one of noise-loud, blasting, unrelenting rock 'n' roll from the Gordian Knot, The Factory's regular weekday band-and familiar faces. Any night the whirling dervishes can include Roz Russell, Barbra Streisand, Sonny and Cher, Dress Designer Jimmy Galanos, Financier Bart Lytton, and Fullback-turned-Actor Jim Brown, who tells friends he feels at home at The Facto ry, proves it by rarely missing an evening. As for The Factory's founders, they have their own soundproof inner sanctum-soon to be opened to the membership at large-which...

Author: /time Magazine | Title: Night Life: The Factory | 3/15/1968 | See Source »

...Bart Harvey, 160, and Mark Faller, 167, contributed to the victory with decisions over their Yale counterparts. Mike Sutzker at 145 won by default. Tom Rainer, at 178, also...

Author: NO WRITER ATTRIBUTED | Title: Swordsmen End Season in Cellar | 3/6/1968 | See Source »

...down, how better than at the hands of Bobby Hull? For the sight of Robert Marvin Hull, 29, leaning into a hockey puck is one of the true spectacles of sport-like watching Mickey Mantle clear the roof, or Wilt Chamberlain flick in a basket, or Bart Starr throw that beautiful bomb. It is the thing that hockey fans go to see-whether in Chicago, Montreal or Oakland. And it is the thing that makes Bobby Hull the superstar of his blazing sport. A legion of partisans call him "the Golden Jet" and "Mr. Hockey," regard him as the greatest...

Author: /time Magazine | Title: Hockey: Hawk on the Wing | 3/1/1968 | See Source »

From then on it was all Crimson as the freshmen won every match. Bart Harvey won the 160 pound match, Mark Fuller the 167 and John Imire pinned in the 191 match. Then Tom Tripp put the match on ice with a close win in the heavyweight division...

Author: NO WRITER ATTRIBUTED | Title: Frosh Grapplers Lick Springfield | 2/15/1968 | See Source »

...differs sharply from his previous songs. Just as a cascading piano was appropriate for "Queen Jane Approximately," so the new record is rightly driven by muted, subtle rhythms and complex interaction. Dylan and his regular drummer, Kenny Buttrey, seem to have developed the sort of perfect understanding that Bart Starr shares with Carroll Dale. In places all over the record, they groove effortlessly, as at the end of John Wesley Harding when Buttrey pumps the shutters, with Dylan wailing on harp...

Author: By Salahuddin I. Imam, | Title: Dylan Gets Religion | 2/7/1968 | See Source »

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