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Word: bart (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...general, mellifluous names tend to have passive or negative meanings, and the macho names tend to sound like sharp, short yelps (Bart, Kent, Mac, Matt, Bill, Nate). Despite Bogart, Humphrey retains its depressing image ("terribly unpopular, sedentary"), but Sophia Loren has influenced her first name, which now means "a bombshell." Gina, Brian and Douglas are among the most dynamic and positive names...

Author: /time Magazine | Title: The Sexes: The Name Game | 9/26/1977 | See Source »

...work with musicians. He was an early promoter of the LP and of original cast albums of shows like South Pacific and My Fair Lady; he had talked CBS into backing Lady. In developing the Columbia Masterworks series of classical music, he included contemporary composers: Prokofiev, Schönberg, Bartók -and Lieberson...

Author: /time Magazine | Title: Milestones, Jun. 13, 1977 | 6/13/1977 | See Source »

...eager to discover what their heroes were up to these days. ELP, as they are also known, responded by offering a generous sampling from their new double LP album Works, Volume 1. That included nothing less than a full-fledged Piano Concerto No. 1 by Emerson, which sounded more Bartók than rock 'n' roll...

Author: /time Magazine | Title: Music: ELP: 72,000 Watts in the Name | 6/13/1977 | See Source »

...drew first blood and looked well on its way to its thirteenth straight triumph in the second inning when Charlie Santos-Buch led off with a bunt attempt that Columbia third baseman Ed Backus muffed. Santos-Buch moved to third when Tommy Joyce's grounder found its way between Bart Purcell's legs, and then loped home on Rich Trembowicz's single to left to give the Crimson a 1-0 lead...

Author: By Bill Scheft, | Title: Columbia Outduels Crimson Nine In 3-1 Triumph | 4/23/1977 | See Source »

Beauty and Mystery. Denne Bart Petitclerc's script drastically compresses and rearranges Hemingway's story. At times this is all to the good: Petitclerc shears away reams of embarrassingly arch, blustery episodes and mannered barroom colloquies. Too often, though, what he salvages tends toward the simplistic and the soapy. This tendency is hardly helped by the hopelessly stilted direction of Franklin J. Schaffner (who directed Scott to somewhat better effect in Patton). Here is a movie about freedom, art, love and death, and there is not a breath of poetry in it. Indeed, it is most prosaic when...

Author: /time Magazine | Title: Cinema: The Big One Gets Away Again | 3/21/1977 | See Source »

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