Word: bartok
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Dates: during 1920-1929
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...program is announced as follows: Sonata Written in 1774 Mozart Woodland Sketches McDowell (a) To a Wild Rose (b) From Uncle Remus (c) From an Indian Lodge The Music Box Ludow Intermission Rumanian Folk-Dances Bela-Bartok Marche des Pettits Soldats de Plomb Pierne Fantasie from the Opera "Johnny Spielt Auf" Kvenek
...afternoon program is as follows: Let I's Now Praise Famous Men Williams Choeur Des Chameliers Franck Three Italian Folk Songs Harvard Glee Club Asturiana deFalla Jota deFalla Three Roumanian Dances Bartok-Szekely Miss Donaldson Jubilate Deo Gabrieli Jesu. Joy of Man's Desiring Bach Let All Mortal Flesh Keep Silence Arr. by Holst The Galway Piper Irish Folk Song Chorus from "The Gondoliers" Sullivan Harvard Glee Club...
...unusual program is announced for the first concert of the year: The first movement of a Symphony "Pilgrim" by Paul Allen '04, Rondino by Libelius, "In Silent Forests" by Richard Strauss, Rumanian Folk-Dances by Mela Bartok as well as that orchestral fantasia "Jonny strikes up" by Ernest Krenek, which is so popular in Europe...
...Mlle. Pitta's numbers will be given their first presentation in Boston. These will be an elegy by Bartok and "Nachstuck" by Hindemith...
Seldom does one find a program which embraces numbers so far apart as did the program of Mme. Gauthier. She began with a group of eighteenth century airs from Bellini, Perucchini, and the Englishmen, Purcell and Byrd, followed it with a group of modern Hungarian and German songs by Bartok and Hindemith, rose to a climax with a group of American jazz songs by Irving Berlin, Jerome Kern, and George Gershwin, and descended through Schoenberg, Arthur Bliss and Milhaud to the end of her program...