Word: barts
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...first two plays, makes this third one possibly the most disappointing. Set in a whorehouse in Nebraska, 1896, the story revolves around Allison (Linda Cameron), a seventeen-year-old making her debut in Mrs. Push's (Frances Shrand) establishment. Her third floor "Celestial Chamber" invaded by an aging bandito (Bart McCarthy), she first tries to bed him, believing him to be her first customer. When he finally convinces her that he is on the run, she hides him during an impromptu visit from her 'fiance' Harvey Handcock (Jack Marshall), the town sheriff. When Harvey is replaced by a randy reporter...
...Fugs out of his office window. Think of jean-and-workshirt-bedecked Yalies pouring out of Skull and Bones to spend their dividend checks on grass and anti-war ads in the New York Times. And win this one for Consciousness II.CrimsonNevin I. ShalltHENRY A. KISSINGER and Yale President BART GIAMATTI joke with Kissinger's son, DAVID, a junior at Yale, at a football game. Henry Kissinger went to Harvard...
...taking a whole generation of composers, including such disparate figures as Aaron Copland and Howard Hanson, under his wing. Continuing this tradition, the B.S.O. is celebrating its birthday by commissioning twelve new works from leading international composers; after all, this is the orchestra responsible for such masterpieces as Bartók's Concerto for Orchestra and Stravinsky's Symphony of Psalms...
There is an appealing "Hey, why don't we ..." quality to such stories. Gary Shaefer and Barbara Fingold were practicing family therapists in western Massachusetts a few years ago; they suspected that cuts in social-service funding lay ahead. In 1978 they bought Bart's, an older ice-cream parlor in Northampton, Mass., a hungry college town, where Herrell was to set up his new place two years later. They are now doing very well handing out what might be considered a kind of therapy. Their customers are students, artists, shopkeepers and lawyers, and some of them, says...
Sometimes weight is imposed by a role. When the late Vivian Vance played Ethel Mertz in I Love Lucy, according to Bart Andrews' The Story of I Love Lucy, she was obliged by contract to stay 20 Ibs. overweight so that she would look older and frumpier than Star Lucille Ball...