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...Lionel Bart has provided a few sprightly tunes, and there are all sorts of coloring-book views of London, but nothing really can pierce through the thick layers of glucose that impact the movie. There are also subplots about running away from home, working toward a new flat, and death and renewal in the animal kingdom (Bella is ailing). The movie has the vacant sentimentality and just the sort of grinding winsomeness that can make family movies such a chore...

Author: /time Magazine | Title: Cinema: Quick Cuts | 11/5/1973 | See Source »

...antipathy to Harvard, I am also grateful for the faithfulness with which you convey a sense of the University in the diversity of its surface....It is good at times to get an intimate look at fashion in the making, even when fashion has no appeal. --Robert S. Bart in a letter to the editor...

Author: NO WRITER ATTRIBUTED | Title: Harvard Magazine: A September sampler | 9/17/1973 | See Source »

...gives his Oscar-winning performance as the bumbling drunkard who has no place in the revolutionary schemes of the IRA. The strong visual compositions of John Ford are very much in evidence, and the sole disconcerting fact is that McLaglen reminds one of a combination of John Dean and Bart Porter, torn between their own stupidity and a misplaced sense of duty. Channel...

Author: NO WRITER ATTRIBUTED | Title: television | 7/6/1973 | See Source »

ALTHOUGH Schwarz-Bart is dealing with an epic subject at minimal length, telescoping action and using primitively direct means to etch his characters, he nowhere descends to type. The various slaves and Frenchmen are distinct individuals as well as symbols; a major reason for the purity of Solitude's anger is her heritage, developed beyond that of most other slaves. The fantasies of slave-owners are indictment enough without the glaze of the author's own rancor, and one of the oppressors is almost sympathetic, with strong psychological motivations for his actions as a slave-owner (his father had been...

Author: By Michael Sragow, | Title: 'The Glory of Blackness' | 5/23/1973 | See Source »

...Last of the Just, Schwarz-Bart's fictional history of Jewish martyrdom, ended poignantly with a lament for the destruction of such communities as the Hasidic shtetls of eastern Europe -- where social rules were joyously, religiously infused with a belief that beneath the moral law lay some ineffable grace. That novel was a sad and bitter tribute to Messianic faith, and its tone was mourning. A Woman Named Solitude is dedicated to fighters, like those people who revolted in the Warsaw ghetto; fighters whose ghosts, we are told, still rise up before the eyes of travelers amidst the ruins...

Author: By Michael Sragow, | Title: 'The Glory of Blackness' | 5/23/1973 | See Source »

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