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...Richard Smith, 35, an Englishman who divides his time between New York and London, won the $10,000 grand prize. His particular bag is the shaped canvas, in which the aluminum frame is turned up at one corner to give the stretched canvas the smooth curve of a semi-bas-relief. There are six such squares of canvas, each painted in a light, bright acrylic color. The series bears the Beatlesque title, A Whole Year and Half Day, and seven of the nine critics on the international jury voted for it. Explained one, Mexico's Ida Rodriguez...

Author: /time Magazine | Title: Exhibitions: Shape for the Future | 9/29/1967 | See Source »

...works. No other campus in the U.S. can boast one like Los Angeles'. In an outdoor setting lush with sycamore, pine, eucalyptus, jacaranda and coral trees, U.C.L.A. students can now stroll and study among Archipenko's Queen of Sheba, Calder's stabile Button Flower, four Matisse bas-reliefs, a Chadwick, Henry Moore's Reclining Figure and many, many more...

Author: /time Magazine | Title: Sculpture: Beauty & Bongos | 6/16/1967 | See Source »

...castings are unique, but all are from series authorized by the artists. For instance, Archipenko's Queen of Sheba is the third of eight castings: Matisse's bas-reliefs are the sixth of ten; Moore's Figure, the fifth of seven...

Author: /time Magazine | Title: Sculpture: Beauty & Bongos | 6/16/1967 | See Source »

Belgium's Paul Van Hoeydonck, 41, is another artist who finds "Cape Kennedy the most romantic place on earth." His subject, too, is space. To depict it, he has abandoned pure painting in favor of white-on-white bas-reliefs made of discarded department-store mannequins, pingpong balls, electronic gadgets and gizmos. He paints them all pure white, he explains, "because white symbolizes infinity and mystery...

Author: /time Magazine | Title: Painting: The 2-1/2 Dimension | 6/9/1967 | See Source »

...current show, at Manhattan's Durlacher Bros. Gallery, Tooker's eight latest paintings show that he is now using less spacious vistas, concentrating on shallow scenes that he calls "bas-reliefs." The themes that concern him are loneliness, racialism, death and youth. Lunch shows people packed closely at a Chock Full O'Nuts-style counter, munching in their respective dream worlds. Landscape with Figures shows haggard young people crouched in a huge honeycomb, and is "my way of protesting the situation kids are in now. I feel sorry for them with the draft, the pressures to conform...

Author: /time Magazine | Title: Painting: Contemporary Florentine | 4/21/1967 | See Source »

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