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...heart of Munich was struck by a fire-bomb raid. The incendiaries that crashed through the 160-ft.-high roof of the National-theater ignited a fire that burned for three days, melting the crystal chandeliers, blackening what remained of the ornate bas-reliefs and frescoes, consuming even the ranks of ivory chairs. For nearly two decades, the ruins of the 125-year-old home of the Bavarian State Opera stood as a grim souvenir of the war, a macabre memorial to its own glorious past...

Author: /time Magazine | Title: Opera: The Joys of Intermission | 12/6/1963 | See Source »

...opposite page), all signs, symbols and literary allusions vanished. Still laid tubes of red and yellow against his surface and squeezed out streaks of lightning. Then he began slathering ever larger canvases with brutal expressions of his own will, great slabs of paint laid on almost as thick as bas-relief...

Author: /time Magazine | Title: Art: The Aloof Abstractionist | 11/29/1963 | See Source »

Bronze Shards. Aronson, 40, chairman of Boston University's art department, is a master of many techniques His eight-foot-tall drawings of The Concert show musicians levitating through clouds of charcoal. His bronze bas-reliefs have ragged edges as if these too were shards from some ancient temple Faces peer and hands pry through the surface as if trying to poke through to heaven. Although cast in medieval garb and aglow with the epicurean colors of Rembrandt, the art of David Aronson merely stages modern problems in ancient dress. What Aronson pictures is mans effort to cast aside...

Author: /time Magazine | Title: Art: Coats of Many Colors | 11/22/1963 | See Source »

...most effective works place bas-relief figures carved in red clay on a tile background. In the "Virgin Spring," the distorted angles and sharp indentations of the man's face suggest his cruelty; the girl's expression seems both fearful and frightening. The even ridges in the forehead, beard, and robe of "The Scholar" contribute to the peaceful mood of this work...

Author: By Heather J. Dubrow, | Title: David Holleman | 11/12/1963 | See Source »

Last week a combine made up of the Italian Fasco investment company and a subsidiary of the French Banque de Paris et des Pays Bas agreed to put up more than $14 million to buy a 20% interest in the Chicago-based food processor, Libby, McNeill & Libby, which only recently was criticized by De Gaulle's government for its plans to set up a major canning operation in the south of France. Presumably, Libby will now be welcome. In Hawaii, Tokyo's Kokusai Kogyo Co. is awaiting only Japanese government approval before handing over $8.7 million...

Author: /time Magazine | Title: Investment: Welcome Invaders | 5/24/1963 | See Source »

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