Word: bases
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Dates: during 1960-1969
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Last week, in retaliation, the U.S. mounted the biggest air strike of the war against the most important of the two MIG bases that had not yet been bombed. Navy and Air Force jets rolled in five times to smash the base at Phuc Yen, northwest of Hanoi, turning the sky into a tapestry of fireballs. Later, Marine planes from Danang ventured farther north than they normally do to make an unusual night raid on Phuc Yen. The Communists filled in many of the bomb craters overnight, but U.S. planes were back the next day to chew out more...
...MIGs were out in force last week not only around Phuc Yen but above Hanoi and Haiphong, which took some of the heaviest bombing of the war. For five straight days, the whine of jets over Hanoi was almost monotonous. U.S. planes struck at a torpedo-boat base, an army barracks, storage depots, power plants, and two bridges over which supply trains from China funnel into Hanoi. Foreign seamen aboard ships anchored off Haiphong sat on the bridges with their feet on the railing watching duels between planes and ack-ack batteries...
...Fuel. Of the six MIG bases in the North, only the one at Gia Lam, which is also Hanoi's commercial airport, has not been bombed-but no more than ten MIGs can operate from Gia Lam. As a result, while 90% of the North Vietnamese force was once kept in the North, about 80% of it is now based across the border in China. The Peitun-Yunnani base in Southwest China harbors not only about 50 MIGs but eight Russian Ilyushin medium bombers not yet used in the war. None of the MIGs have yet flown...
...Ponape Agricultural and Trade School, training 160 Micronesians at a time in such basic skills as mechanics, construction and animal husbandry. Another hard-driving missionary is the Rev. Edmund Kalau, a Lutheran and onetime Luftwaffe pilot (now a U.S. citizen), who is building a youth center in his home base of Colonia featuring hobby shops, an art studio, handball and tennis courts and Micronesia's first roller-skating rink...
...artist's use of colors. In the early 1950s, Francis' dappled abstracts were tight, taut and somewhat somber, a reflection of his cramped environment in Paris. But in 1957, he took a trip around the world, stayed five months in Japan, established a new home base in Santa Monica Canyon, Calif. For him, it was as if the clouds had parted, and down poured a torrent of scattered forms and heightened colors. "Francis," says Sweeney, "has become a master of decoration in the grand style." The largest Francis, a 13-ft. by 19-ft. canvas called Meaningless Gesture...