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...Helsinki commitments covered a multitude of human endeavors, but the pledges on guaranteeing basic human rights have become the most contentious. It is here that the Final Act has fallen significantly short of its goal, largely owing to noncompliance by the Soviet Union and its East European satellites. Exasperation over Western scrutiny of Soviet behavior was recently expressed by Yuri Zhukov, a columnist for the Soviet newspaper Pravda, who said that "it has been hammered into the minds of the people in the West for ten years" that the Final Act amounts merely to a declaration on human rights...

Author: /time Magazine | Title: Noble Words, Hollow Promises | 4/18/2005 | See Source »

...appeal in the current zeitgeist, one a celebration of convention and wealth, the other a manifesto of street-toughness and bohemian penury. In the age of Reagan, la-di-da formality has made big black limousines and black-tie soirees modish once again. Thus for the well-to-do, basic black is a means of ostentatious discretion. On the other hand, the angry black of the new wave--dark glasses, sour black T shirts and scruffy black jeans--is more the anarchist's traditional black. It is neo-beatnik, the color correlate of the adolescent angst satirized by Chekhov...

Author: /time Magazine | Title: Design: The Allure of Darth Vaderism | 4/18/2005 | See Source »

...suggested Shahnawaz may have died from alcohol and drugs. In Sind province, most business came to a standstill. Some defied the ban on entering Sind for the funeral rites. Said Malik Mohammed Qasim, secretary-general of one faction of the Pakistan Muslim League: "To attend a funeral is the basic right of a citizen, and to prevent a Muslim from doing so is un-Islamic." The struggle between Zia and the Bhutto family is evidently far from over...

Author: /time Magazine | Title: Pakistan: Test of Wills | 4/18/2005 | See Source »

Eaton's meticulous planning extends even to the opera's rhythmic structure, with each character assigned his or her own basic tempo. Act II, for example, closes with a stirring, cacophonous ensemble of clashing rhythms and timbres as all the major characters sing simultaneously and Prospero exults, "My high charms work!/ and these, mine enemies, are all knit up/ in their distractions. They are in my power." What Eaton has done is not merely to set Porter's concise, three-act libretto, but to retell it in musical terms, creating a cognate of Shakespeare's play. It is a formidable...

Author: /time Magazine | Title: Music: When the Style Is No Style | 4/18/2005 | See Source »

Robinson is quite arbitrary in picking six cherished operas as his text, and even more so in including Schubert's two greatest song cycles, on the theory that they are "distinctly operatic." His basic argument is that Mozart's Marriage of Figaro expresses the Enlightenment's belief in reason and reconciliation, that Rossini's Barber of Seville reflects the post-Napoleonic withdrawal from emotional involvement, and that Schubert's Winterreise and Schöne Müllerin represent the Romantics' concentration on the individual and his relationship to nature. Similarly, he asserts that Berlioz's Trojans dramatizes the 19th century's obsession...

Author: /time Magazine | Title: Upbeats: OPERA AND IDEAS: FROM MOZART TO STRAUSS | 4/18/2005 | See Source »

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