Word: bassanio
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Dates: during 1930-1939
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...indicate that he intended Shylock to be a mixture of good and evil. At one moment you laugh at his tears for his daughter and his ducats, but the sincere lament that follows immediately after for the loss of Leah's ring certainly arouses anything but scorn. Again, when Bassanio and Antoncate comedy, and Shylock a wretch who gets his just deserts, but he is not a stage villain of Gothic blackness. Instead, Mr. Moscovitz shows a fusion of contradictory emotions: gile and hate mixed with love and sincerety, a true Shakesperean character...
...remainder of the cast unfortunately falls below the level of the principles, although Maury Tuckerman as Launcelot Gobbo and Geoffrey Ward well as Bassanio are above the average. The opening performance was marred by several of the minor characters forgetting their lines and a general uncertainty about the mechanics of the piece, but with a few more performances, the entire cast should be able to support Mr. Moscovitch adequately. The use of the same scenery used by George Arliss several years ago provides a very beautiful background upon which to present so much good acting. If the company...
...spite of Mr. Leiber's fresh and unconventional interpretation of the part of Shylock the rest of the cast did not render sufficient support to keep this production from becoming mediocre. The sets were by far the worst that have been' shown thus far. Bassanio, played by Hart Jenks gave the most satisfactory characterization excepting that of Mr. Leiber. Vera Allen did fairly well as Portia although she gave the "Quality of Mercy" in an attitude which suggested that she was trying to count the seats in the extreme rear of the balcony. Although the role of the Merchant...