Word: basse
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Dates: during 1950-1959
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Anita O'Day has also made a LP of standards with arrangements by Buddy Bregman. Her rendition of "Honeysuckle Rose" is a classic, with only a Bass accompanying her for half the song. Bregman's other arrangements are run-of-the-mile, but it is nonetheless a pleasure to hear Anita take off on fine tunes like "I Can't Get Started" and "No Moon At All." (Verve...
...immediate impression. She is also as beautiful a girl as you could wish, of which fact Liberty has taken advantage with no less than thirteen large color portraits on her latest album. Despite the visual effects, though, her best LP remains the first, (Lib. 3006) with just Guitar and Bass. If you like your songs sung intimately and on the slow side, she's your dish...
...child prodigies from Mozart on: parental push. Joey's father, Frank Alfidi, a Yonkers, N.Y. accordion teacher, gave his son a specially built accordion when he was eleven months old. Within a few years the boy was playing kettledrums, the vibraphone, piano and, by some tall stretching, string bass. He went on to play in his school orchestra, where the going was rough. "They're not good enough for him," said Papa. Joey complained that his friends are not interested in his conducting. "There's one boy named Tommy-he throws rocks...
...this blasphemy? Technically not; but it is sometimes hard to determine where the fine line between bad taste and sacrilege is to be drawn. When God speaks to Moses from the burning bush, out booms a big, creamy bass voice that sounds like nothing so much as a TV announcer making a pitch for a local funeral home. At such moments it is impossible to avoid the impression that the moviemaker, no doubt without intending to, has taken the name of the Lord in vain...
...composer, Floyd has a Verdian flair for extracting the last drops of dramatic juice from many of his scenes. In the revival meeting, Susannah's dramatic pin nacle, the congregation sings a realis tic back-country hymn while Evangelist Blitch (Bass-Baritone Norman Treigle) rants in the foreground, and the music gradually transmutes and builds to shat tering climax. On the other hand Composer Floyd is sometimes seduced from the true path by his own melodies, nota bly when he sets Susannah (Soprano Phyllis Curtin) to singing the intermina ble verses of a pretty, folk-song-like lament just...