Word: basse
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...marches in, Mick Waller at the drums, Jeff Beck prophetically brandishing his guitar. The singer Rod Stewart in burnt sienna flush velours pants that fit tight, an ornate silver cross hanging from his neck, has slender features and a bouffant hair-do and an impish grin. Ron Wood, on bass guitar, stakes out his area and the music flares like a newly struck match. Stewart sings "Rock me baby/Keep-on-rocking-me-baby/ Rock me all night long." Then slowly the lead guitar begins to mold the frantic throbbing sound and it becomes clear that Jeff Beck, ex-Yardbirds, ex-performer for Antonioni...
Last week, at Manhattan's Town Hall, Schickele presented his latest and most adventurous departure-a chamber-rock-jazz trio called The Open Window, made up of Schickele and Fellow Composers Robert Dennis and Stanley Walden. The group sang and played such instruments as electric piano, organ, bass clarinet and tambourine in a quirky kaleidoscope of their own songs (sample title: 4 a.m. June; The Sky Was Green). The result was a little like spinning a radio dial rapidly over stations that are broadcasting Glenn Gould, Oscar Peterson and the Beatles: fascinating but somewhat dizzying. Though...
...fact that Connie, the vocalist, who is also a girl, had the shortest hair of all, became the subject of nary a wry comment. Perceptive listeners also noted that she sang bass during the harmony while the males took over the higher octaves in falsetto. Rhythm guitar was played by a giant of a man with an Apostle's beard, hollow eyes, and a swollen voice. His guitar, slung low and hanging horizontal at fly level gave soul to his songs...
...were even farther apart. Father was an optimist, a dandy "walking in and out of jobs with the bumptiousness of a god." By the time Victor was twelve, the cab at the door had moved the Pritchetts 18 times. While Mother wept, Father filled those cabs with his bland bass voice...
...earlier philosophy. It's only the sound that's changed from big-city to country. About this being an Okie record: there are three ways Dylan has made the sound different. 1) The music; he's cut out Mike Bloomfield and the electric guitars, and put a drum and bass beat through the whole record that makes all the sound vaguely similar. 2) The language: he puts his songs in the country idiom (instead of the hip) by using a lot of twisted cliches, saying "whom" a lot instead of "who," and throwing awe-struck interjections to "the Lord" into...