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Word: basse (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Yard Punch this Wednesday from 3 to 4:30 p.m., there will be a jazz improvisation group. The group will be headed by Tom Kierenon on trumpet; on piana is Alan Perlman; on drums is Phil Manfredi; there will also be a bass player...

Author: NO WRITER ATTRIBUTED | Title: Jazz At Punch | 8/6/1962 | See Source »

...opening chorale-prelude, "Wachet auf," was the first I have ever heard taken at a sufficiently fast tempo. With most players, it sounds more like taps than reveille. The only trouble was that the pedal stop had pipes that were rather slow-speaking; at this tempo, therefore, the bass line tended to lag perceptibly behind the upper ones...

Author: By Caldwell Titcomb, | Title: Two Women Play Bach | 8/2/1962 | See Source »

...tone quality. At the Spoleto Festival, they wouldn't believe it." Mrs. Hutchins' new instruments, some of which have already been played, are even more unbelievable: they run a wide gamut of tones-from an octave higher than the violin to the lowest tones of the present bass viol-and they do so with equal timbre and loudness each step of the way. Only an instrument maker with Mrs. Hutchins' combination of craftsmanship and science could have made them...

Author: /time Magazine | Title: Music: The Strads of Montclair | 6/15/1962 | See Source »

...piled under tables, filed away in secretaries, and hang from curtain rods and moldings. Mrs. Hutchins tests her newly devised instruments in a basement lab full of measuring equipment that she mastered only after several years of electronics study. The biggest of her new in struments, the large bass, and the small est, the treble, are still causing trouble. It would take a seven-foot man to play the large bass unless she can somehow alter its proportions while retaining the tone; only a midget could play the treble. "At the moment," says Mrs. Hutchins, "we're up against...

Author: /time Magazine | Title: Music: The Strads of Montclair | 6/15/1962 | See Source »

Just Sipping. In the Breakfast at Tiffany's score, he sets off his melodies with a walking bass, extends them with choral and string variations, varies them with the brisk sounds of combo jazz. Moon River is sobbed by a plaintive harmonica, repeated by strings, hummed and then sung by the chorus, finally resolved with the harmonica again. Says Mancini: "It took me a long time to figure out what Holly Golightly was all about. One night after midnight I was still trying. I don't drink much, but I was sipping. And it came...

Author: /time Magazine | Title: Movies: Never Too Much Music | 5/25/1962 | See Source »

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