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...weaves a sonic experience this is merely unique on recordings but unparalleled in person. When singing solo, McFerrin leaps from rumbling, nearly sub-sonic depths to breathy, almost dog-whistle highs with alarming fluidity. He doesn’t need accompaniment, because he simultaneously functions as his own bass, treble and percussion sections all in one. To that alternately yodelling and resonant presence, he adds sound effects such as the leading edge of a storm, and a vaudevillian sense for a completely novel and theatrical musical experience...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: McFerrin Makes Magic | 3/8/2002 | See Source »

...father suggested he try to get a group together. The Saturday after the school notice went up, six or seven Mount Temple students appeared in the Mullen kitchen. "Some people could play," Mullen remembers. "The Edge could play. Adam [Clayton] just looked great. Big bushy hair, long caftan coat, bass guitar and amp. He talked like he could play, used all the right words, like 'gig.' Then Bono arrived, and he meant to play the guitar, but he couldn't play very well, so he started to sing. He couldn't do that either. But he was such a charismatic...

Author: /time Magazine | Title: 15 Years Ago In TIME | 3/4/2002 | See Source »

Though it briefly seemed that the days of Sputnik had returned, Americans can stop worrying that Russia is winning the race to put boy bands in space. Early last week 'N Sync's LANCE BASS reported that he was negotiating to visit the International Space Station aboard a Russian rocket, an idea hatched by the Amsterdam-based MirCorp. When MirCorp approached Bass, he enthusiastically embraced the proposal, issuing a statement saying he was "looking forward to completing this lifelong dream." But by week's end the Russian space agency said it was not MirCorp's prerogative to book passengers aboard...

Author: /time Magazine | Title: People: Mar. 4, 2002 | 3/4/2002 | See Source »

...joys of booze, the guitar boogies along just loud and hard enough--and without weighing down the melody--to suggest the pleasure he finds. When he delves into the pathos of not being able to quit, sickly sounding violins, set against a spare backdrop of guitar, drums and bass, slide in to signify self-loathing. What could be more Hank Williams...

Author: /time Magazine | Title: Music: A Tale Of Two Hanks | 3/4/2002 | See Source »

...back for their encore. After playing “Buddy Holly,” one of their most famous singles from their first album, they ended the show with a grand finale of “Surf Wax America.” Cuomo and Shriner left their guitar and bass in front of the amps in a wash of feedback as the band departed, this time for good. The crowd, on the other hand, was left breathlessly staring at the empty stage, mesmerised by the superb quality of the performance, the signature =W= hanging on the backdrop...

Author: By William F. Conners, CONTRIBUTING WRITER | Title: Geeks Rock The House | 2/22/2002 | See Source »

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