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Word: basse (lookup in dictionary) (lookup stats)
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...want to wish Jimi a happy birthday," Chris Wood told the audience at the Orpheum Friday night before he and bandmates Billy Martin and John Medeski launched into a blazing version of Hendrix's "Crosstown Traffic." Belting out Jimi's funky lines on bass, drums, and organ, respectively, Medeski, Martin and Wood finished off a night that had been a whirlwind tour of jazz, funk, rock and pure abstract experimentalism...

Author: By Taylor R. Terry, CRIMSON STAFF WRITER | Title: Abstract? Art? | 12/8/2000 | See Source »

...with many DJ sets, the first few tracks only lured the serious dancers and glow-stick fiends away from their drinks and onto the dance floor. But as the rhythms became more snare-intensive and Maas' trademark bass rattled the club's foundation, fewer and fewer found themselves able to resist. By the time the sampled introductory chords of Madonna's "Vogue" gave way to yet another punishing rhythmic assault, a mere hour into the set, it became clear that Europe's Next Big Thing was well on his way to winning over Boston clubbers...

Author: By Tom Clarke, CONTRIBUTING WRITER | Title: CRITICAL MAAS | 12/1/2000 | See Source »

...hard funk," a genre-defying dance floor assault whose defining characteristic is its ability to create mass gyration on the dance floor. The basic tools-sirens, cricket chirps, claps and Maas' favorite sound effect, the synthesizer growl were not especially deft or inventive in themselves, but the insistent bass and driving beats kept the crowd eager for more. The stabs at drama, such as cutting the strobes to frame Maas between two columns of red light, were simple at best, but enthralling nonetheless...

Author: By Tom Clarke, CONTRIBUTING WRITER | Title: CRITICAL MAAS | 12/1/2000 | See Source »

...perhaps the greatest indicator of Maas' success was the absence of a riotous response to "Dooms Night," the Azzido Da Bass track whose ubiquitous remix catapulted Maas to the forefront of the international scene. The crowd certainly ate it up, roaring with anticipation as the familiar shuffling beat filtered from the speakers, but not so much that anyone could call Maas a one-remix wonder. If anything, they much preferred lesser-known but equally well-crafted Maas tracks, occasionally jumping up and down with the reckless abandon of seventh-graders at a school dance. That's not to say that...

Author: By Tom Clarke, CONTRIBUTING WRITER | Title: CRITICAL MAAS | 12/1/2000 | See Source »

...hardly masking his ultra slender body, the leader of the Foo Fighters recently wowed a packed crowd at the Worcester Palladium with both his onstage antics and his immense musical prowess. For over an hour, the band-featuring Grohl on guitar and vocals and occasionally drums, Nate Mendel on bass, Taylor Hawkins on drums and guitarist Chris Shiflett along for the nationwide tour-rocked hard, splicing and dicing most of the songs from their 1999 album, There is Nothing Left to Lose, along with band staples and radio hits like "Everlong" and "My Hero." For his part, Grohl careened around...

Author: By Stacy A. Porter, CONTRIBUTING WRITER | Title: EVERYBODY PLAYS THE FOO | 12/1/2000 | See Source »

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