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Justin R. Timberlake knew he would be receiving the Pudding Pot, but he didn’t know that Lady Gaga, Britney Spears, and Lance Bass would be on hand to help him bring his sexy back...

Author: By Naveen N. Srivatsa, CRIMSON STAFF WRITER | Title: Hasty Pudding Roasts Timberlake | 2/8/2010 | See Source »

Justin R. Timberlake knew he would be receiving the Pudding Pot, but he didn’t know that Lady Gaga, Britney Spears, and Lance Bass would be helping him on a mission—to bring his sexy back...

Author: By Naveen N. Srivatsa, CRIMSON STAFF WRITER | Title: Timberlake Receives Pudding Pot | 2/6/2010 | See Source »

Despite Moore’s unusual approach to creating characters, the most rewarding moments of “A Gate at the Stairs” come when Tassie is alone, reading and cooking and playing her bass in an apartment that feels too big. These quieter, pensive moments are lovely in their understatement and their insinuation of a profound loneliness that hangs over Tassie and Troy but is never directly acknowledged...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Meditations Of a Midwesterner | 2/2/2010 | See Source »

...bluegrass is one of the few subsets of American folk music that was largely pioneered by one person. Mandolin player Bill Monroe formed the Blue Grass Boys in 1939, and was later joined by banjoist Earl Scruggs and singer/guitarist Lester Flatt. Bluegrass, whose instrumentation includes guitar, banjo, mandolin, double bass, and fiddle, emerged as a kind of commercially disseminated folk music a decade later. It then began to permeate early rock music in unexpected ways: the offbeat mandolin chop characteristic of bluegrass music, for example, eventually evolved into the snare-drum offbeat in rock and roll...

Author: By Matthew H. Coogan, CRIMSON STAFF WRITER | Title: Bluegrass Educates with Sound of Music | 2/2/2010 | See Source »

...comes as a shock that on his newest album, “Rebirth,” Wayne leaves rap music behind altogether in favor of an as-yet uncharted genre: rock. In this latest effort, Wayne abandons rap’s sampled beats for a bass, drum set, and electric guitar. Power ballads of unrequited love replace tales of street violence and self-promotion, and the dissing and calling out of other rappers is tossed out in favor of punk-inspired castigation of society and nameless enemies. This bold step, however admirable it might be in theory, comes nowhere near...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Lil’ Wayne | 2/2/2010 | See Source »

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