Word: basses
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Dates: during 1960-1969
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...however that Jeff Beck, for all his domineering guitar activity, would be anything without the consistent and helpful backing that he gets from the rest of his group. Leaving aside Nicky Hopkins for the moment, it is clear that Waller, Stewart, and Ron Wood, who plays bass, are above average as performers in their own right, and superb in combination with Jeff Beck...
...more memorbale instances of the group's easy relationship in performance came during an instrumental number called "Mother's Rice Pudding." Ron Wood, who says that he usually sticks to the "basic bass progressions on the blues stuff," suddenly opened up and played a bristling rock-bass solo. This has since been included in the song, and the number which started as a jam one night in San Francisco continues to grow...
...Jeff Beck Group doing their great staples "Rock My Plimsoul," "Shapes of Things." Hopkins begins with a solo burst. Beck leads into the vibrant theme lines and then starts screeching from his guitar with his finger slashing. Hopkins' shimmering piano, Waller's hammering beat, Wood on throbbing whipping bass. Music stops and Stewart sings a line...
...early on that he was not going to be influenced by Gounod's score, either. "It's sweet, it has charm and grace, and it's romantic -but it can bend any number of ways," he explains. Fortunately, Soprano Beverly Sills (Marguerite), Tenor Michele Molese (Faust), Bass Norman Treigle (Mephistopheles) and Conductor Rudel were on hand to see that it did not bend too much. Some traditionalists felt that it was going too far to deprive Marguerite of her usual departure for heaven in full view of the audience. But Corsaro decided that angels, bells and harps...
Bruce also spoke of a new record he had just finished cutting called "Thing We Like." All the selections on it are compositions of his written over the last five years. Bruce plays string bass. The other players are relatively unknown. "The whole album is serialized improvisation. I've written all the tops and bottoms and provided serialized rhythms and pitches for the others to improvise upon." Influences of Schoenberg? "No, probably more Webern than anyone else, especially since many of the cuts are so short. One is fifty seconds long. Webern, man, he was too much! Years ahead...