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Word: basses (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...rollers, the sandwich of photographic papers is raised, by rope and pulley, toward the ceiling. Then the sandwich is lowered to the floor, and the negative is lifted off, revealing the huge full-color print. "It's nothing but a small Polaroid process made larger," says Technician Peter Bass...

Author: /time Magazine | Title: Science: Getting the Big Picture | 9/26/1977 | See Source »

...much too adventurous with the sacred scores to please his colleagues. He was never afraid to experiment with sound, and was one of the rare few performers who would do so in a concert hall. On one occasion, he added electronic devices to the orchestra, to augment the double basses in a composition that he thought needed an extra heavy bass. Experiments in the association of color and sound that were done early in the century caught Stokowski's fascination. He once used a color machine during a performance of Rimsky-Korsakov's Scheherazade, to heighten the effect...

Author: By Judy Kogan, | Title: The Baton Also Rises | 9/20/1977 | See Source »

...doubtful if so prodigious an undertaking could have succeeded without an actor of Ian Richardson's scope and power. His voice is like the trumpet of the Lord at the Second Coming. He can insinuate like a violin, wheedle like a clarinet and thunder anathemas like a great bass drum. And alongside that, Richardson maintains a physical counterpoint of impish comic invention, which is an equally essential element of the Shavian rhetoric...

Author: /time Magazine | Title: The Theater: GBS: Holy Terrorist of Iconoclasm | 8/8/1977 | See Source »

Richard Hell's Blank Generation, delivered over a throbbing four-note bass ostinato, is already a punk classic...

Author: /time Magazine | Title: Music: Anthems of the Blank Generation | 7/11/1977 | See Source »

...bars, a thick curtain of light, produced by in tense lights rimming the stage, dissolved to reveal Keith Emerson, 32, Greg Lake, 29 and Carl Palmer, 27, hard at work on the center. There was Keith darting from Hammond organ to Moog synthesizer, and Greg picking away at his bass-guitar. Between them sat Carl, confined along with his drums, snares, gongs and tubular bells in a percussion cockpit that resembled nothing so much as a mod four-poster converted into a padded cell for the phantom of the opera. The music built relentlessly, awesomely powered by 72,000 watts...

Author: /time Magazine | Title: Music: ELP: 72,000 Watts in the Name | 6/13/1977 | See Source »

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