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Word: basses (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...spin-off from Gillespie, but it offered not so much as a toot. No sax, no horn, no clarinet. Instead there was a clean, nearly transparent sound made by piano, vibraharp, bass and drum...

Author: /time Magazine | Title: Music: Gentlemen of Jazz | 12/9/1974 | See Source »

...soft-spoken drummer, admitted that he had no immediate professional plans. Asked why the band was breaking up, Bass Player Heath, 51, replied in tones less mellow than his music. "It wasn't our fault," he said with a scowl...

Author: /time Magazine | Title: Music: Gentlemen of Jazz | 12/9/1974 | See Source »

...total ultimate." Superlatives, however redundant, fall easily these days from the lips of Dan Hartman, 23, bass guitarist with the blues-rocking Edgar Winter Group. And why not? Hartman is the proud owner of a new set of threads that just may revolutionize the look of a rock concert. Let the Doobie Brothers attire their drummer in stars and stripes that blink on and off in tune to the big beat. Let Elton John wear trousers that explode. Hartman tops them all with the Guitar Suit, a $5,000, one-piece, silverized affair that makes possible a Flash Gordonesque union...

Author: /time Magazine | Title: Music: The Resounding Abdomen | 11/18/1974 | See Source »

Margaret Duesenberry and Aldeen Zeitlin, violins; Ruth Curwen, viola; Ruth Belvin, cello; Edwin Barker, bass; Donald Lurye '75, clarinet; Douglas Wilkins '75, bassoon; and Donald Warkintin '78, french horn. Schubert: Octet, Op. 166. Nov. 10 at 3:00. To the memory of Joseph Stein...

Author: By Jim Glecick, | Title: Classical | 11/7/1974 | See Source »

...throw that even Tom Seaver might envy. As Conductor Stanislaw Skrowaczewski's opening program of Bach, Ives, Stravinsky and Beethoven made clear, the new hall also has remarkably even dispersion of sound (with slight exceptions in some of the side balcony areas), admirable balance and clarity, a striding bass and an exciting musical presence unsurpassed perhaps by any concert hall in the world. Skrowaczewski's readings tended to be very soft or very loud, as well as very fast or slow. At times the volume of the orchestra approached the painful-clearly the result of the conductor...

Author: /time Magazine | Title: Music: Minneapolis Opening | 11/4/1974 | See Source »

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