Word: basses
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Dates: during 1970-1979
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Osborn's new book displays an unfortunate tendency to unity of form and content. Sam Weston, a fledgling associate at Bass and Marshall, is somewhat at sea in what Osborn portrays as a paranoid, chaotic world of a Wall Street firm. Likewise, Osborn's writing flounders--his conversational tone includes all the usual non-sequiturs, flaws of grammar, and fragmented sentences, and none of the spontaneity. His imagery floats aimlessly is a sea of conventionality, occasionally grasping at some hapless metaphor and squeezing the life from...
...tame love story. When it's all over and done with, Osborn straddles the only issue he raises--is the Wall Street rat race worth it? Weston's friend, Littlefield, drops out only to land gloriously as a Yale Law School professor, and Weston and Newton, although they leave Bass and Marshall, still seem in awe of the grand old head of the firm, Cosmo Bass, and are fairly well indoctrinated, if somewhat rambunctious...
...respect, at least, both Lou Reed and Patti Smith represent a single tradition in popular music-that of the talking singer. Both like to patter over a light drum beat or bass line, in the manner of a Jim Morrison. For Smith this practice masquerades as high poetic art; for Reed it seems to be more a product of his declining vocal resources. His last album, Take No Prisoners-a live, double-record set-consisted mostly of Reed chattering with and occasionally insulting his audiences...
Reed's replacement for the Velvet Underground sound is a mixture of electronically synthesized guitar and bass, a traditional wind and brass section, and a technique called "stereo binaural sound"-which has something to do with the placement of microphones and leads to a thick, atmospheric recording best listened to with headphones. The sound is unmistakeable and very pleasing, and so far Reed has been able to write songs that take full advantage fo it. On "I Want to Boogie With You," Don Cherry's trumpet and Marty Fogel's sax thicken the soup of a repeated chord sequence...
Visions--Wayne Kirton, plano; Jerome Crichton, percussion; Jackie Bear, tenor saxophone; and Paul Crichton, bass: Dunsters...