Word: basses
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Dates: during 1980-1989
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There was a lot of courage and generosity going around. Almost everything in South Bend was done, and done well, by volunteers, among them some 1,200 members of a service group called Civitan. Community people back in Elizabeth City, N.C., held bass-fishing derbies and bowlathons and the like to help Beverly James compete. She is the tenth of twelve children -- "eight of whom have finished college," her mother Penny says with pride -- and her father Roscoe has Parkinson's disease. Beverly, 19, who functions at a second-grade level intellectually, is pleasant and mannerly...
...hardly worth dramatizing. So Writer-Director Luis Valdez shapes facts into fable. Valens' family is a chicano caricature; death forever stalks our shooting star; chunky Ritchie is made over into winsome Lou Diamond Phillips. Even the music (by Los Lobos) sounds thin next to the originals, with their booming bass lines. Only at a concert with Jackie Wilson and Eddie Cochran does La Bamba come alive as a sharp tribute to '50s rock from some sons of the pioneers. The rest of the movie plays like a 106- minute version of a teen ballad: Donna in the easy-listening remix...
...never was and I am not Ivan the Terrible," said John Demjanjuk in resonant bass tones...
...second tenor with the Gay Men's Chorus, was diagnosed as having AIDS in 1985. When crippling lesions spread to his vocal cords, Lo Presti had the lesions burned off and kept singing. When he could no longer sing the tenor range, he relearned all his parts in bass three weeks before the season began. Still later, he insisted on a blood transfusion that would allow him to tour with the chorus. "He practically had to be held up," recalls Perry George, a member of the chorus, "but he sang radiantly." Two months later Lo Presti was dead...
...first released in 1976, is a seminal record. This new version offers alternate takes and outtakes, including an unlikely version of Harbor Lights, and makes a fascinating history of one scuffling producer (Sun Founder and Rock Pioneer Sam Phillips) and three good ole boys (Elvis, Lead Guitarist Scotty Moore, Bass Player Bill Black) groping toward greatness. "That's fine," says Sam Phillips after one take on Blue Moon of Kentucky. "Hell, that's different. That's a pop song now, nearly 'bout." All the difference, and all the history, hovered around that "nearly." It took a while, but that...